Heels: A New Account of the Double Helix
Nathaniel Comfort reviews Howard Markel's new book about Rosalind Franklin, "The Secret of Life."
Nathaniel Comfort reviews Howard Markel's new book about Rosalind Franklin, "The Secret of Life."
Victoria Chang and Dean Rader consider “Such Color” by Tracy K. Smith and “The Glass Constellation” by Arthur Sze.
Alice Blackhurst reviews a novel take on the coming-of-age genre, Suzanne Lindon’s film “Spring Blossom.”
A prominent scholar and dissident speaks out about Myanmar’s military rule.
An African economist explains why mainstream economics is a colonialist enterprise.
Andrew Scull gives stellar marks to Allan Horwitz’s history of the DSMs.
Yvonne Conza speaks to Susan Orlean about animalish curiosities, the writing process, and the meaning of memoirs.
Paul J. D’Ambrosio finds meaning in “The Uncontrollability of the World,” the new book from Hartmut Rosa.
Gabino Iglesias takes a look at the grief and guilt that propel S. A. Cosby’s “Razorblade Tears.”
Griffin Shoglow-Rubenstein considers the “organizing concerns” of Aaron Kunin.
Brian Castleberry talks with Ye Chun about her new collection of short stories, “Hao.”
A radical portrayal of female insanity from an unjustly forgotten woman novelist.
LARB presents a conversation with four scholars on the Chinese Cultural Revolution: Lingchei Letty Chen, Nan Z. Da, Frank Dikötter, and Jie Li.
Kate Wolf, Medaya Ocher, and Eric Newman speak with director Todd Haynes about his latest movie, and first documentary, “The Velvet Underground.”
Marlowe Granados’s “Happy Hour” is a party girl novel after a year without parties.