Who Was His Little Brother, and Why Was He Killed?
A writer tries to unravel the mystery of who killed his friend — and the friend’s different identities.
A writer tries to unravel the mystery of who killed his friend — and the friend’s different identities.
Batuman’s follow-up to her Pulitzer-nominated debut is another breathless exploration of college life.
Melchor’s new novel is overwhelming, violent, frightening, and leavened by a dark sense of humor.
A stirring if not fully persuasive defense of the university’s role in the formation of an informed citizenry.
Jorge Cotte reviews Eugenie Brinkema’s “Life-Destroying Diagrams,” a monograph in defense of radical formalism.
Justin E. H. Smith’s new book, “The Internet Is Not What You Think It Is,” shows how the human dream of telecommunication has been twisted into a nightmare.
Our culture is preoccupied with content to the almost total exclusion of form, and that’s bad.
Eric C. Miller interviews Obery M. Hendricks Jr. about his new book on the evangelical Right’s pernicious readings of the Bible.
Nichole LeFebvre feels the magnetic pull of “Linea Nigra,” an essay on pregnancy and earthquakes by Jazmina Barrera, translated by Christina MacSweeney.
Sungshin Kim and Kurt Guldentops read Cixin Liu's Three-Body Problem trilogy against Mark Bould's criticism.
Eric Newman and Medaya Ocher speak with Hernan Diaz about his latest novel "Trust."
Lily Houston Smith examines Jeff Deutsch’s advocacy of bookstores and books in his “In Praise of Good Bookstores.”
Leeore Schnairsohn reflects on D. M. Black’s new translation of Dante’s “Purgatorio” and on the purgatories of our day.
Jonathan P. Lewis reviews the third book in Nnedi Okorafor’s Nsibidi Scripts series, “Akata Woman.”
The author discusses her latest novel, “A Ballad of Love and Glory,” a sweeping historical drama set during the Mexican-American War.
A new entry in the genre of the Philadelphia Novel, characterized by a tangle of law enforcement, interracial romance, and social alienation.