What Has Become of Home?
Zahra Hankir explores Mai Al-Nakib’s debut novel, “An Unlasting Home.”
Zahra Hankir explores Mai Al-Nakib’s debut novel, “An Unlasting Home.”
Stephanie Malak follows “Linea Nigra: An Essay on Pregnancy and Earthquakes” by Jazmina Barrera.
If you think games are a waste of time, it is only because you have fundamentally misunderstood how humans decide how to spend their lives.
Art Beck considers “My Hollywood and Other Poems” by Boris Dralyuk.
Michael Nava reads Katherine V. Forrest’s “Delafield” and explains why Forrest is an icon of lesbian fiction.
Donnelle McGee considers “Time Is a Mother” by Ocean Vuong.
Kate Wolf and Eric Newman are joined by Natalia Molina to discuss her latest, “A Place at the Nayarit: How a Mexican Restaurant Nourished a Community.”
Kelly Baker Josephs reviews Matthew G. Kirschenbaum’s “Bitstreams: The Future of Digital Literary Heritage.”
Lyle Daniel in conversation with Jhani Randhawa about their new book, “Time Regime.”
Ukrainian-American poet Vasyl Makhno offers three poems on the war in Ukraine, translated by Olena Jennings, Luba Gawur, and Jaroslaw Anders.
Lori J. Marso uses Simone De Beauvoir and a feminist phenomenological lens to consider Audrey Diwan’s “Happening,” a film adapted from the work of Annie Ernaux.
LARB Legal Affairs Editor Don Franzen talks with Congressman Ted Lieu about his 21st Century Federal Writers’ Project Act.
Lena Khalaf Tuffaha celebrates the appearance of “You Can Be the Last Leaf,” a collection by Palestinian poet Maya Abu Al-Hayyat, translated by Fady Joudah.
Tom Teicholz turns his ear to “The War on Music: Reclaiming the 20th Century” by John Mauceri.
Amna A. Akbar reviews a new book by Angela Y. Davis, Gina Dent, Erica R. Meiners, and Beth E. Ritchie, “Abolition. Feminism. Now.”