Beyond the Green Line: Imagining a Just Future
Julie E. Cooper explores the collapse, in the wake of October 7, of traditional Zionist narratives about the presumed protections of the Jewish nation-state.
Julie E. Cooper explores the collapse, in the wake of October 7, of traditional Zionist narratives about the presumed protections of the Jewish nation-state.
J. D. Connor explains what Fox’s game show “Snake Oil,” Disney’s film “Haunted Mansion,” and NBC’s crime series “The Irrational” have in common.
Brandon Sward traces the lines between race, sexuality, and colonialism in Vishal Jugdeo’s “Caribbean Television” at Commonwealth and Council.
Eileen G’Sell reviews Nathaniel Rosenthalis’s “The Leniad,” Jana Prikryl’s “Midwood,” and Dorothea Lasky’s “The Shining.”
So bad it’s good, or all the way around to bad again? A. J. Urquidi ponders this and more at a screening of Tommy Wiseau’s sophomore film.
Four Palestinian poets write in a time of catastrophe.
Kate Manne argues that contemporary philosophy has a trans problem.
Todd May argues that we should resist echo chambers that reinforce our beliefs by taking a step back, taking a deep breath, and taking stock.
Andrew Holter interviews Will Hermes about his new biography “Lou Reed: King of New York."
Jonathan Lewis explores the importance of transformation to confront trauma and conflict in Nnedi Okorafor’s compelling new speculative novel, “Like Thunder.”
Eric Newman and Medaya Ocher are joined by writer and critic Andrew Chan to discuss his latest book, “Why Mariah Carey Matters.”
Chris Yogerst reviews Kliph Nesteroff’s book, “Outrageous: A History of Showbiz and the Culture Wars.”
Jack Skelley went to the Poetic Research Bureau and found two writers finding themselves in mass-cultural epiphanies.
An intergenerational family epic recounting imperialism and its legacy, written in prose that transcends genre. Check out our Winter 2024 pick for the LARB Book Club: “The Liberators” by E. J. Koh.
Abena Ampofoa Asare writes about teaching Black history.
Lisa Darms speaks with filmmaker Elisabeth Subrin about her award-winning new documentary “Maria Schneider, 1983.”