That’s a Wrap
David Diaz follows legendary LA punk band Graf Orlock to the ends of the earth (well, only to Anaheim—but still).
David Diaz follows legendary LA punk band Graf Orlock to the ends of the earth (well, only to Anaheim—but still).
Josh Cook reviews Steven Millhauser’s new story collection “Disruptions.”
Peter Lunenfeld traces the persistence of classic con games in the current explosion of cryptocurrency markets.
Follow Gracie Hadland’s weekend peregrination through the avant-cultural world of greater Los Angeles, from Koreatown to Pasadena.
A new poem from Zeina Hashem Beck.
Carey Mott reviews two books about the blurred lines between communism and capitalism in China: Christopher Marquis and Kunyuan Qiao’s “Mao and Markets: The Communist Roots of Chinese Enterprise” and Scott Moore’s “China’s Next Act: How Sustainability and Technology Are Reshaping China’s Rise and the World’s Future.”
Tim Riley reviews Ray Padgett’s “Pledging My Time: Conversations with Bob Dylan Band Members.”
Mariella Rudi reviews Susanne Wedlich’s “Slime: A Natural History” and Christopher Michlig’s “File Under: Slime.”
Alice Kelly reviews Chris Bachelder and Jennifer Habel’s “Dayswork.”
Dorie Chevlen presents a LARB Quarterly essay so relatable that Everybody.World made it a T-shirt.
For Jack Skelley, Kathy Acker was a writer who both masterfully baited and masturbated, occasionally at the same time.
Kate Wolf and Medaya Ocher speak with the writer and editor Blake Butler about his latest book, a memoir called “Molly.”
Timothy S. Miller reviews Brian Attebery’s “Fantasy: How It Works.”
Edmée Lepercq reviews French author Clara Schulmann’s newly translated book-length essay “Chicanes."
Claire Lewandowski joined a hotel worker union action and learned how to disarm the opposition with some costumes and a whole lot of singing.
Brandon Tensley revisits “Sister Act 2: Back in the Habit” as an underrated entry in the hood drama genre.