Archive
A Saving Skepticism: On J. M. Coetzee’s “The Pole”
Jasmine Liu reviews J. M. Coetzee’s “The Pole.”
Do Women Have It Easier Than Men Now? On Caitlin Moran’s “What About Men?”
Meredith Maran reviews Caitlin Moran’s “What About Men? A Feminist Answers the Question.”
My Bird Today Promises a Story
In a preview of the new LARB Quarterly, no. 39: “Air,” Dan O’Brien finds symbols of life and faith in the theater.
All the World’s a Game
Vehicles of Awareness: On Terrance Hayes’s “So to Speak” and “Watch Your Language”
Jeevika Verma reviews Terrance Hayes’s “So to Speak” and “Watch Your Language: Visual and Literary Reflections on a Century of American Poetry.”
Story Thieves: On Carmen Boullosa’s “The Book of Eve”
Godelieve de Bree reviews Carmen Boullosa’s “The Book of Eve”
Not Only in America: On Benjamin D. Weber’s “American Purgatory”
Spencer J. Weinreich reviews Benjamin D. Weber’s “American Purgatory: Prison Imperialism and the Rise of Mass Incarceration.”
The Guide to a Game That Doesn’t Exist: On Plastiboo’s “Vermis”
Patrick Fiorilli reviews Plastiboo’s “Vermis,” a strategy guide to a video game that doesn’t exist.
I Went to Therapy with a Gecko
Dorothea Lasky’s “The Shining” and Anna Biller’s “Bluebeard’s Castle”
An LARB Radio Hour double-header Halloween horror special. In the first half, Kate Wolf is joined by the poet Dorothea Lasky to discuss her most recent poetry collection, “The Shining.” Then filmmaker Anna Biller speaks with Kate and Medaya Ocher about her first book, “Bluebeard’s Castle.”
Marked as a Monster: A Conversation Between Marlena Williams and S. Trimble
Marlena Williams and S. Trimble discuss their shared work on the queer resonances of “The Exorcist.”
The One-Way Ticket to Barcelona
In a preview of the new LARB Quarterly, no. 39: “Air,” Corina Zappia considers the state of travel for single women.
The Gift That Chung’s Gave Me: On Curtis Chin’s “Everything I Learned, I Learned in a Chinese Restaurant”
A. C. Huyen reviews Curtis Chin’s “Everything I Learned, I Learned in a Chinese Restaurant.”
Speaking of Haunted Language
Other Shapes: On Kate Briggs’s “The Long Form”
Grace Byron reviews Kate Briggs’s “The Long Form.”
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