Keeping House
Marina Magloire writes on the Clifton House, the Pamoja workshop, revolution, and refuge, in an essay from LARB Quarterly no. 47: “Security.”
Marina Magloire writes on the Clifton House, the Pamoja workshop, revolution, and refuge, in an essay from LARB Quarterly no. 47: “Security.”
Too Fast To Sing is currently on view at Los Angeles Municipal Art Gallery. Curated by Hugo Cervantes, the group exhibition brings together artists engaged with contemporary music and sound.
Tierney Finster traverses “Flat Earth,” Anika Jade Levy’s debut novel.
Conor Williams sits down with film critic Melissa Anderson to discuss her recent essay collection.
Sophie van Well Groeneveld visits a Wolfgang Tillmans survey, the final exhibition at Centre Pompidou before its renovation.
Whitney Mallett visits a porn shoot in Spain.
Hannah H. Kim ponders the plotless narrative as a tool for meaning-making.
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On January 24, 2026, acclaimed journalist and author Susan Orlean will be joined in conversation by music critic and fellow writer Alex Ross at the historic Thomas Mann House. Tickets will be on sale soon; exclusive early access is available to donors of $1,000+ to LARB’s year-end fund drive.
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Emmett Rensin writes on eco-grief, the climate dirge, and one Armenian monk in a new hybrid fiction-cum-essay from LARB Quarterly no. 47, “Security.”
Calvin Gimpelevich writes on the history and politics of public bathrooms, in this essay from LARB Quarterly no. 47, “Security.”
Film critics and authors A.S Hamrah and Melissa Anderson join the podcast to talk about 2025 in film, the Warner Bros. sale, AI use, and more.
Chloe Garcia Roberts considers J. M. Coetzee and Mariana Dimópulos’s new book on translation.
Carrie Courogen remembers the cross-genre brilliance of Rob Reiner’s filmmaking.
Anahid Nersessian people-watches at Taix in the most recent installment of I Come Here Often, from LARB Quarterly no. 47, “Security.”
From his rear window, M. Keith Booker reads the new anthology of stories inspired by Alfred Hitchcock, edited by Maxim Jakubowski.
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Martin Wong catches up with SoCal punk band Emily’s Sassy Lime upon their reunion for the California Biennial.
Nada Alic speaks with Halle Butler about social satire, writing humor, and her newest novel, “Banal Nightmare.”
Annie Berke considers timelines not taken in new novels by Erin Somers and Catherine Newman.
Lydi Conklin discusses cancel culture, queer identity, and trauma responses with Anna Marie Cain.
Ranbir Sidhu visits two recent exhibitions of Anselm Kiefer in Greece and the Netherlands.
Christian Kriticos explores J. R. R. Tolkien’s long-lost satire of a motorized world.
To celebrate the 250th anniversary of Jane Austen’s birth, Stephanie Insley Hershinow offers a survey of recent Austen-related books and artworks.
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What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
Justin A. Davis writes on Ralph Bakshi’s controversial film “Coonskin” for its 50th anniversary, in a preview of the LARB Quarterly no. 47, “Security.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Aaron Boehmer writes about community libraries and the importance of accessible archival and literary resources in these times.
Joel Edward Goza dives into Calvin Schermerhorn’s new study of American history, tracing a financial pattern of racial exploitation that’s woven into the nation’s fabric.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Rowland Bagnall dives into the early work of Stephen Shore, newly collected by MACK.
Alix Christie considers Susan Straight’s challenging yet crucial portraits of an “overlooked” California.
Tim Brinkhof considers Joe Wright’s new Mussolini miniseries as a flawed representation of the rise of fascism in Italy.
Clara Cuccaro considers the “myth of resistance” in Joachim Trier’s newest film, “Sentimental Value.”
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
Eric Newman and Kate Wolf speak with Sarah Schulman about her latest book, “The Fantasy and Necessity of Solidarity.”
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams—from iPhones to social media to AI—have become nightmares.
Filmmaker Kelly Reichardt talks to Kate Wolf and Medaya Ocher about her new movie, “The Mastermind,” out in theaters now.
Medaya Ocher and Eric Newman speak with writer Grace Byron about her debut novel, “Herculine.”
Brace yourself, new essays, fiction, poetry, art, and comics are here. Hunker down with the LARB Quarterly no 47: Security, exploring vulnerability, loss, and refuge.
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