What Remains to Be Said
The L.A. fires, one year later.
The L.A. fires, one year later.
German filmmaker, video artist, theorist and writer Harun Farocki’s work is featured in the “Security” issue of the LARB Quarterly.
Mona Fastvold’s ‘The Testament of Ann Lee’ presents a musical American allegory of the Great Awakening that is ‘fundamentally carnal, even if its heroine is decidedly not.’
Eram Alam’s new book uncovers the ways that immigrant physicians have propped up the American medical system.
Eric Gudas on the work and afterlife of the misunderstood photographer Diane Arbus.
Bill McKibben makes the case for combating the climate crisis by transitioning from fossil fuels to solar power.
Drew Bratcher meditates on the legacy of a country music legend.
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On January 24, 2026, acclaimed journalist and author Susan Orlean will be joined in conversation by music critic and fellow writer Alex Ross at the historic Thomas Mann House. Tickets are on sale now.
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We revisit our episode with photographer and writer Sally Mann about her book, "Art Work: On the Creative Life."
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Emmett Rensin writes on eco-grief, the climate dirge, and one Armenian monk in a new hybrid fiction-cum-essay from LARB Quarterly no. 47, “Security.”
Calvin Gimpelevich writes on the history and politics of public bathrooms, in this essay from LARB Quarterly no. 47, “Security.”
Chelsea Davis considers Katherine Dunn’s posthumous story collection ‘Near Flesh.’
Tim Riley listens for the unspoken ironies of Cameron Crowe’s career via his new memoir, ‘The Uncool.’
Vesper North ponders Lisa Alvarez’s new story collection.
We revisit our episode with photographer and writer Sally Mann about her book, "Art Work: On the Creative Life."
From his rear window, M. Keith Booker reads the new anthology of stories inspired by Alfred Hitchcock, edited by Maxim Jakubowski.
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Martin Wong catches up with SoCal punk band Emily’s Sassy Lime upon their reunion for the California Biennial.
Nada Alic speaks with Halle Butler about social satire, writing humor, and her newest novel, “Banal Nightmare.”
Luke Kemp’s ‘Goliath’s Curse: The History and Future of Societal Collapse’ diagnoses civilizational symptoms while sidestepping serious solutions.
Jodie Hollander describes the imprisonment of fame, in a poem from LARB Quarterly no. 47, ‘Security.’
Tess Taylor captures fragments of dream text, blank invitations, and stored receipts, in a poem from LARB Quarterly no. 47, ‘Security.’
Alexis Pauline Gumbs interviews Jason Allen-Paisant about his new memoir.
Anna Journey writes on the ‘site of infernal nerve spark and spasm,’ in a poem from LARB Quarterly no. 47, ‘Security.’
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What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
Justin A. Davis writes on Ralph Bakshi’s controversial film “Coonskin” for its 50th anniversary, in a preview of the LARB Quarterly no. 47, “Security.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Aaron Boehmer writes about community libraries and the importance of accessible archival and literary resources in these times.
Joel Edward Goza dives into Calvin Schermerhorn’s new study of American history, tracing a financial pattern of racial exploitation that’s woven into the nation’s fabric.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Rowland Bagnall dives into the early work of Stephen Shore, newly collected by MACK.
Alix Christie considers Susan Straight’s challenging yet crucial portraits of an “overlooked” California.
Tim Brinkhof considers Joe Wright’s new Mussolini miniseries as a flawed representation of the rise of fascism in Italy.
Clara Cuccaro considers the “myth of resistance” in Joachim Trier’s newest film, “Sentimental Value.”
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
Film critics and authors A.S Hamrah and Melissa Anderson join the podcast to talk about 2025 in film, the Warner Bros. sale, AI use, and more.
LARB Radio Hour hosts pick their favorite books, movies, TV shows, music, magazines, and scandals from 2025. Listen to hear about Nuzzi, Superman, and more
Julia Loktev joins the podcast to talk about her new documentary "My Undesirable Friends," following a team of journalists in Russia right before the invasion of Ukraine.
Brace yourself, new essays, fiction, poetry, art, and comics are here. Hunker down with the LARB Quarterly no 47: Security, exploring vulnerability, loss, and refuge.
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