In the Shadow of Yesterday
Aurelian Craiutu thinks about Balázs Trencsényi’s “Intellectuals and the Crisis of Politics in the Interwar Period and Beyond: A Transnational History.”
Aurelian Craiutu thinks about Balázs Trencsényi’s “Intellectuals and the Crisis of Politics in the Interwar Period and Beyond: A Transnational History.”
I Give You Power features photography by Rulx Thork. Published by Little Big Man Books, I Give You Power features images taken between 2005 and 2018 across Brooklyn.
Cynthia Zarin traces the rise of fascism through the diary entries of Virginia Woolf, in an essay from LARB Quarterly no. 47: “Security.”
Harry Stecopoulos reviews Olivia Laing’s new novel “The Silver Book.”
In November 2024, writers Viet Thanh Nguyen, Jonathan Ames, Anna Dorn, and Jane Hu gathered at LITLIT for a discussion with Paul Thompson about how it feels to take a work from book to screen.
Hannah Smart writes about her attempt to diagram a 900-word sentence in David Foster Wallace’s “Mister Squishy,” and what the efforts taught her about human inertia and meaningless language.
Jessica Simmons-Reid visits Noah Davis’s posthumous survey at the Hammer Museum.
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Kate Wolf and Eric Newman speak with Angela Flournoy about her novel, "The Wilderness."
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Brendan Boyle writes on the voyages beyond in “Contact” (1997) and “Alambrista!” (1977), in the newest installment of Double Feature, from the LARB Quarterly no. 46: “Alien.”
Vanessa Holyoak explores memory and loss after the L.A. fires, in an essay from LARB Quarterly no. 46: “Alien.”
Janet Sarbanes encounters Nancy Buchanan’s career retrospective at the Brick in Los Angeles.
Alexandre Lefebvre reads “Furious Minds: The Making of the MAGA New Right” by Laura K. Field.
Adam Straus speaks with Yannick Murphy about her new novel “Things That Are Funny on a Submarine but Not Really.”
Zoe Adams considers “There Is No Place for Us: Working and Homeless in America” by Brian Goldstone.
Tom LeClair clop-clops through Mark Z. Danielewski’s new novel “Tom’s Crossing.”
Travis Alexander revisits Thomas Pynchon’s 1990 novel “Vineland,” arguing that it contains a prescient analysis of today’s liberal-leftist divide.
Rachele Dini discusses OpenAI’s “A Machine-Shaped Hand” and an academic sector in crisis.
Emmet Fraizer considers Adam Szetela’s “That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.”
Heather Macumber reviews Brandon Grafius’s “Scared by the Bible: The Roots of Horror in Scripture.”
William Egginton pays heed to Santiago Zabala’s “Signs from the Future: A Philosophy of Warnings.”
Grant Sharples offers a personal account of the Boss’s career and legacy in light of the new biopic “Springsteen: Deliver Me from Nowhere.”
Cameron Engwall talks with Alexis Okeowo about her second book, “Blessings and Disasters: A Story of Alabama.”
Minjie Chen takes a journey through China’s shadowlands in “Hello, Kitty and Other Stories” by Anne Stevenson-Yang.
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What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
Aniko Bodroghkozy considers recent books on the 2017 Charlottesville attack as a watershed moment in contemporary neo-Nazism.
Rob Arcand reviews Hito Steyerl’s new essay collection, “Medium Hot: Images in the Age of Heat.”
Matthew Cobb reports from the Spirit of Asilomar, an event celebrating the 50th anniversary of the legendary biotechnology conference.
Shaan Sachdev explores Pankaj Mishra’s “The World After Gaza: A History,” moral authority, and a generation of young dissenters.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Karoline Huber discusses the phenomenon of “de-extinction” in SF and popular culture.
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Dashiel Carrera considers Han Kang, sleep, and the Velvet Underground.
Cory Bradshaw describes the art and agony involved in making amateur porn in an essay for LARB Quarterly no. 45: “Submission.”
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
In this special episode, hosts Kate Wolf, Medaya Ocher, and Eric Newman discuss how Big Tech dreams—from iPhones to social media to AI—have become nightmares.
Filmmaker Kelly Reichardt talks to Kate Wolf and Medaya Ocher about her new movie, “The Mastermind,” out in theaters now.
Medaya Ocher and Eric Newman speak with writer Grace Byron about her debut novel, “Herculine.”
Eric Newman speaks to Alejandro Varela about his latest novel, “Middle Spoon.”
We’re over the moon to announce the LARB Quarterly, no. 46: Alien, featuring meditations, essays, fiction, poetry, and more from LARB contributors new and known.
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