We’re All Dürt Würkers: Grady Hendrix’s Heavy Metal Horror
Grady Hendrix’s “We Sold Our Souls” pokes subtle fun at heavy metal and its self-seriousness, but also embraces that seriousness as a platform for critique.
"The function of science fiction is not always to predict the future but sometimes to prevent it." — Frank Herbert
Grady Hendrix’s “We Sold Our Souls” pokes subtle fun at heavy metal and its self-seriousness, but also embraces that seriousness as a platform for critique.
Sean GuynesJan 9, 2019
Alexander C. Kafka ventures through Joyce Carol Oates's latest novel.
Alexander C. KafkaDec 17, 2018
Rita Indiana's "Tentacle" takes on environmental disaster, queer politics, race relations, and the legacy of empire in a brief 160 pages.
Ellen JonesDec 13, 2018
Adam Fales on Ahmed Saadawi’s “Frankenstein in Baghdad,” Sarah Perry’s “Melmoth,” and Chase Berggrun’s “R E D” — emissaries of the “contemporary Gothic.”
Adam FalesDec 1, 2018
Ayize Jama-Everett interviews Victor LaValle about horror and diversity.
Ayize Jama-EverettNov 22, 2018
Surveying the history of horror fiction.
Rob LathamNov 4, 2018
On “A People’s History of the Vampire Uprising” by Raymond A. Villareal.
Désirée ZamoranoOct 31, 2018
Tade Thompson’s “Rosewater” is a hard-boiled alien invasion novel that investigates the perils and opportunities of inescapable networked connection.
Jessica FitzPatrickOct 27, 2018
The mutant legacy of H. P. Lovecraft, as the Cthulhu mythos spawns ever more exotic, challenging revisions.
Paul StJohn MackintoshOct 17, 2018
While delivering two rollicking tales of adventure, Theodora Goss also has something important to say about women and monsters.
Ilana TeitelbaumOct 13, 2018
Surrealism versus escapism in a new roleplaying game.
David M. HigginsSep 22, 2018
Manuel de Pedrolo's "Typescript of the Second Origin" is a novel both born from and about politics: in particular, the politics of identity.
Dale KnickerbockerSep 15, 2018