The Astronomy of Melancholy
Arnaud Gerspacher considers “Sad Planets” by Dominic Pettman and Eugene Thacker.
"The function of science fiction is not always to predict the future but sometimes to prevent it." — Frank Herbert
Arnaud Gerspacher considers “Sad Planets” by Dominic Pettman and Eugene Thacker.
Arnaud GerspacherJun 14, 2025
David Shipko explores climate denialism in speculative literature and culture.
David ShipkoMay 26, 2025
Ruth Joffre reviews Debbie Urbanski’s story collection “Portalmania.”
Ruth JoffreMay 13, 2025
Nathan Wainstein reexamines Naughty Dog’s 2020 game “The Last of Us Part II.”
Nathan WainsteinMay 4, 2025
Alix Ohlin revisits Kazuo Ishiguro’s novel “Never Let Me Go” on the occasion of its 20th anniversary.
Alix OhlinApr 28, 2025
Jenna N. Hanchey explores the recent anthology “Afro-Centered Futurisms in Our Speculative Fiction,” edited by Eugen Bacon.
Jenna N. HancheyApr 24, 2025
Marat Grinberg considers Stanisław Lem as a Jewish writer.
Marat GrinbergApr 24, 2025
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
Vanessa EvansApr 20, 2025
Wade Newhouse considers Camilla Bruce’s new horror novel “At the Bottom of the Garden.”
Wade NewhouseApr 6, 2025
Cory Oldweiler reviews Argentine author Agustina Bazterrica’s terrifying dystopian novel “The Unworthy,” translated by Sarah Moses.
Cory OldweilerMar 6, 2025
Scott reviews Grady Hendrix’s “Witchcraft for Wayward Girls.”
Shannon ScottMar 1, 2025
Michael Goodrum reviews Jeremy Dauber’s “American Scary: A History of Horror, from Salem to Stephen King and Beyond.”
Michael GoodrumFeb 7, 2025