“Places We Actually Go”: Three Irish Poets’ Debuts
James O’Sullivan reviews collections by Roisin Kelly, Annemarie Ní Churreáin, and Elaine Cosgrove.
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
James O’Sullivan reviews collections by Roisin Kelly, Annemarie Ní Churreáin, and Elaine Cosgrove.
James O’SullivanAug 3, 2018
“We must be vigilant, because the history we are given is sometimes very different from the history that happened.”
Harris FeinsodJul 24, 2018
Andrew Epstein reviews “Flarf: An Anthology of Flarf.”
Andrew EpsteinJul 22, 2018
Jennifer Seaman Cook interviews Ed Sanders, a major figure in the Beat and counterculture movements.
Jennifer Seaman CookJul 18, 2018
Clare Shearer speaks to Maggie Nelson about “Something Bright, Then Holes,” reissued by Soft Skull Press last month.
Clare ShearerJul 9, 2018
Alex Harvey surveys the career of Alfred Hayes, a 20th-century American poet, novelist, and screenwriter.
Alex HarveyJul 6, 2018
Lisa Russ Spaar takes a second look at second books by poets Charles Simic and Jacob Shores-Argüello.
Lisa Russ SpaarJul 4, 2018
Dana Goodyear talks to poet Carol Muske-Dukes about her new collection, the slipping mask of poetry, and the first poet laureate of California.
Dana GoodyearJul 4, 2018
Alex Niven reviews Tom Pickard’s “Fiends Fell.”
Alex NivenJul 3, 2018
Howard Rodman on the origins of the phrase “career of evil,” with stops at Patti Smith and the Blue Öyster Cult.
Howard A. RodmanJun 28, 2018
"Poetry might best represent what capitalism has spoiled." Jean-Thomas Tremblay reviews two new books of ecopoetry.
Jean-Thomas TremblayJun 24, 2018
Woody Haut reviews “The Long Take,” a long-form noir poem by Robin Robertson.
Woody HautJun 22, 2018