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Second Acts: A Second Look at Second Books of Poetry: Kate Daniels, Chloe Honum, and Corey Van Landingham
Lisa Russ Spaar takes a look at second books of poems by Kate Daniels, Chloe Honum, and Corey Van Landingham....
Poetry
Juan Felipe Herrera’s “Akrílica” and the Not Yet of Latinidad
Renee Hudson considers “Akrílica,” a collection of poems by Juan Felipe Herrera....
“What Is Emerging”: On Jana Prikryl’s “Midwood”
Nathan Blansett considers “Midwood,” a new collection of poems by Jana Prikryl....
I Am Never Not Singing: On Cynthia Cruz’s “Hotel Oblivion”
Carlie Hoffman considers “Hotel Oblivion,” a collection of poems by Cynthia Cruz....
101 Black Women Poets in Mainly White and Mainly Black Rooms
Marit J. MacArthur and her colleagues dive deep into the particularities of spoken word performance and its reception....
“Like Fences in a Flat Land”: On Recent Returns to German Expressionist Lyric
Alexander Sorenson reviews new translations of the expressionist poetry of Georg Trakl and Georg Heym....
“Left to Folly or to Fate”: Gwendolyn Brooks’s and Elizabeth Bishop’s Ballads of Social Unrest
Brian Brodeur reveals the social dimensions and political potential of the ballad....
Children of the Surrealist Revolution
Robyn Jensen reviews Aleksandar Bošković and Ainsley Morse’s English translation of “The Fine Feats of the ‘Five Cockerels’ Gang” by Serbian surrealists Aleksandar Vučo and Dušan Matić....
"A Believed-in Dream": On Dana Levin’s “Now Do You Know Where You Are”
Liza Katz Duncan considers “Now Do You Know Where You Are” by Dana Levin....
“I’ve Always Been Fascinated by the Fate of Objects”: A Conversation with David Trinidad
Jack Skelley talks with David Trinidad about his new book, “Digging to Wonderland: Memory Pieces.”...
To Foreignize or to Domesticate: Notes After Leading a Translation Seminar
Robert Chandler addresses the contradictory pulls translators face as they work....
“The Cut Is Tangible”: A Conversation with Anwen Crawford
Mireille Juchau talks with Anwen Crawford about her new hybrid memoir “No Document.”...
Praise, Even in Fallibility: A Conversation with Dexter L. Booth
Douglas Manuel interviews Dexter L. Booth about his new book, “Abracadabra, Sunshine.”...
Palindrome as Portal, Existence as Performance: On Danielle Blau’s “peep”
Elizabeth Metzger considers “peep” by Danielle Blau....
“Our Energy Is the Epilogue of Empires”: On Angel Dominguez’s “Desgraciado”
Renee Hudson considers “Desgraciado” by Angel Dominguez....
What’s Ekphrasis Good For?: On Camille Guthrie’s “Diamonds”
S. Brook Corfman appreciates “Diamonds” by Camille Guthrie....
“We Came Walking Out of Our Thoughts to Be Loved”: On “Cold Candies,” by Lee Young-ju, translated by Jae Kim
Michael Joseph Walsh tries “Cold Candies” by Lee Young-ju....
A Tree of Many: A Review of Three New Poetry Anthologies
Rachel Hadas considers three recently released poetry anthologies....
Healing, Dangerous Wonders: On Sylvia Legris’s “Garden Physic”
Paul J. Pastor reviews Sylvia Legris’s new collection of poetry, “Garden Physic.”...
The Formality of Nostalgia: On Boris Dralyuk’s “My Hollywood and Other Poems”
Art Beck considers “My Hollywood and Other Poems” by Boris Dralyuk....
At the Beginning of Hope: On Ocean Vuong’s “Time Is a Mother”
Donnelle McGee considers “Time Is a Mother” by Ocean Vuong....
Passing Through: A Conversation with Jhani Randhawa
Lyle Daniel in conversation with Jhani Randhawa about their new book, “Time Regime.”...
“Homage to the Word”: On Robert B. Shaw’s “What Remains to Be Said: New and Selected Poems”
Timothy Steele celebrates the appearance of “What Remains to Be Said: New and Selected Poems” by Robert B. Shaw....
“Color Is Its Own Divine Language”: A Conversation with Colleen Louise Barry
JoAnna Novak speaks to poet Colleen Louise Barry about the sublimity of color, the limits of the self, and her new collection, “Colleen.”...
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