My Direct Debits Hit at Midnight
Rhian Sasseen considers party-writing in Caleb Femi’s latest poetry collection, “The Wickedest.”
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
Rhian Sasseen considers party-writing in Caleb Femi’s latest poetry collection, “The Wickedest.”
Rhian SasseenJun 25, 2025
Tianyi considers Yuki Tanaka’s debut collection “Chronicle of Drifting.”
TianyiMay 31, 2025
Ryan Teitman dives into Rosalie Moffett’s new collection of poems, “Making a Living.”
Ryan TeitmanMay 25, 2025
Benjamin Paul considers Mary Helen Callier’s debut poetry collection, “When the Horses.”
Benjamin PaulMay 23, 2025
Laura Wetherington interviews Mia You about “Festival.”
Laura WetheringtonMay 21, 2025
Rowland Bagnall discovers “The Essential C. D. Wright,” edited by Forrest Gander and Michael Wiegers.
Rowland BagnallMay 19, 2025
In a preview from LARB Quarterly no. 44, “Pressure,” Sophia Stewart explores the poetry and politics of Julia de Burgos.
Sophia StewartMay 11, 2025
Sarah Yanni considers Rosie Stockton’s new book of poems, “Fuel.”
Sarah YanniMay 7, 2025
Yvonne Conza interviews Jill Bialosky about her new book, “The End Is the Beginning: A Personal History of My Mother.”
Yvonne ConzaMay 7, 2025
B. K. Fischer reviews Maggie Nelson’s “Pathemata, or The Story of My Mouth.”
B. K. FischerApr 27, 2025
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Jorrell Watkins.
Jorrell WatkinsApr 19, 2025
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Tamara Nassar.
Tamara NassarApr 18, 2025