Impossible Epic: On Sandra Simonds’s “Orlando”
Lindsay Turner considers “Orlando” by Sandra Simonds.
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
Lindsay Turner considers “Orlando” by Sandra Simonds.
Lindsay TurnerDec 3, 2018
The poet laureate of Los Angeles on relearning language.
Tara IsonNov 29, 2018
In “Welcome to the Anthropocene,” Alice Major sets up the natural world as dominant over our knowledge of it.
Hannah RogersNov 27, 2018
Rowland Bagnall considers “Like” by A. E. Stallings.
Rowland BagnallNov 25, 2018
Declan Ryan appreciates the “emotional endurance and arrested constancy” of Hugo Williams, whose first book of poems appeared in 1965.
Declan RyanNov 23, 2018
A literary friendship, scrupulously enshrined.
Greg GerkeNov 21, 2018
Jonathan Farmer interviews poet Erica Dawson about her new book, “When Rap Spoke Straight to God.”
Jonathan FarmerNov 2, 2018
In "What’s Left of the Night," Ersi Sotiropoulos excavates the origin of this irony in the early years of C. P. Cavafy’s poetic awakening.
Niko MaragosOct 26, 2018
Los Angeles poets on the city they love.
Sesshu FosterOct 24, 2018
Lisa Russ Spaar takes a second look at second, posthumous books by poets Joan Murray and Christopher Gilbert.
Lisa Russ SpaarOct 18, 2018
Josh Billings revels in Bill Johnston’s “meticulous” translation of “Pan Tadeusz: The Last Foray in Lithuania” by the great Polish poet Adam Mickiewicz.
Josh BillingsOct 16, 2018
Liesl Schwabe reviews Gendun Chopel's "The Passion Book: A Tibetan Guide to Love & Sex."
Liesl SchwabeOct 11, 2018