As Noir as It Gets
Patrick Millikin follows “The Long Take” by Robin Robertson.
"I have nothing to say, and I am saying it, and that is poetry." — John Cage
Patrick Millikin follows “The Long Take” by Robin Robertson.
Patrick MillikinFeb 9, 2019
Emily Sernaker talks to poet sam sax about his new collection, “bury it.”
Emily SernakerJan 23, 2019
Rachel Richardson reviews “Wild Is the Wind” by Carl Phillips.
Rachel RichardsonJan 19, 2019
A Pulitzer Prize–winning poet reflects on sincerity, mortality, the buffoonery of Trump, and dogs as comic relief.
Lauren MauldinJan 19, 2019
Christopher Spaide considers Evie Shockley’s “semiautomatic” and Ange Mlinko’s “Distant Mandate.”
Christopher SpaideJan 16, 2019
Patrick A. Howell interviews poet Nikki Giovanni.
Patrick A. HowellJan 10, 2019
Kim Dower in conversation with Erica Jong.
Kim DowerDec 19, 2018
A. M. Juster appreciates the retro-transgressive poetics of “Petty Theft,” by Nicholas Friedman.
A. M. JusterDec 18, 2018
On "After Emily: Two Remarkable Women and the Legacy of America’s Greatest Poet" and the fraught history of Emily Dickinson's editors.
Lynne FeeleyDec 11, 2018
Karen Kevorkian considers “Imperfect Pastorals” by Gail Wronsky.
Karen KevorkianDec 9, 2018
Richie Hofmann considers “The Book of Ephraim” by James Merrill, annotated and with a new introduction by Stephen Yenser.
Richie HofmannDec 6, 2018
Joy Lanzendorfer considers the poetry and history of Angel Island.
Joy LanzendorferDec 4, 2018