Someone Always Takes Me Home: On Howard Fishman’s “To Anyone Who Ever Asks”
Chris Molnar reviews Howard Fishman’s “To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse.”
"I don't care much about music. What I like is sounds." — Dizzy Gillespie
Chris Molnar reviews Howard Fishman’s “To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse.”
Chris MolnarJun 21, 2023
Tim Riley reviews Warren Zanes’s “Deliver Me from Nowhere: The Making of Bruce Springsteen’s ‘Nebraska.’”
Tim RileyJun 9, 2023
Nicholas Nauman reviews DeForrest Brown Jr.’s “Assembling a Black Counter Culture.”
Nicholas NaumanApr 4, 2023
Marc Masters reviews Andrew Simon’s “Media of the Masses: Cassette Culture in Modern Egypt.”
Marc MastersApr 3, 2023
Ian Winwood writes about covering the music industry in Los Angeles.
Ian WinwoodMar 3, 2023
Arielle Gordon reviews Cosey Fanni Tutti’s “Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe & Cosey Fanni Tutti.”
Arielle GordonFeb 20, 2023
Rani Neutill discusses the euphoric affect of BTS for Gen-X women.
Rani NeutillFeb 17, 2023
Eli Winter details the material and psychological quirks of touring as an independent musician.
Eli WinterFeb 13, 2023
Ethan Warren reviews “Rags and Bones: An Exploration of the Band” and Criterion’s remaster of Martin Scorsese’s “The Last Waltz.”
Ethan WarrenJan 31, 2023
Maria Sonevytsky explores how a simple phrase became a slogan invoked by Ukrainian politicians, soldiers, intellectuals, and keyboard warriors.
Maria SonevytskyJan 17, 2023
Alex Harvey reviews John Scanlan’s “Rock ’n’ Roll Plays Itself: A Screen History.”
Alex HarveyJan 11, 2023
James Penner interviews John Densmore, drummer for the Doors.
James PennerJan 7, 2023