The Air We Breathe Is Holy: Exvangelical Indie Rock
In a preview of LARB Quarterly no. 39: “Air,” Matthew Mullins explores exvangelical indie rock and reevaluates his own identity within the American...
"I don't care much about music. What I like is sounds." — Dizzy Gillespie
In a preview of LARB Quarterly no. 39: “Air,” Matthew Mullins explores exvangelical indie rock and reevaluates his own identity within the American...
Matthew MullinsOct 23, 2023
Chandler Dandridge takes a tour of Manchester with Andy Spinoza, author of “Manchester Unspun: Pop, Property, and Power in the Original Modern City.”
Chandler DandridgeOct 10, 2023
Justin Gautreau reviews singer-songwriter Sufjan Stevens’s new album “Javelin.”
Justin GautreauOct 9, 2023
Ariella Garmaise reviews Alissa Bennett’s compilation of celebrity-themed zines, collectively titled “Taxidermist’s Handbook.”
Ariella GarmaiseSep 13, 2023
Musicologist Judith Finell reviews Harvey Sachs’s new biography of the influential and misunderstood 20th-century musical genius Arnold Schoenberg...
Judith FinellAug 29, 2023
Anna Dorn learns to love Taylor Swift.
Anna DornAug 21, 2023
Grant Sharples reviews Michael Tedder’s “Top Eight: How MySpace Changed Music.”
Grant SharplesAug 20, 2023
Alexander Billet reviews Joe Molloy’s “Acid Detroit: A Psychedelic Story of Motor City Music.”
Alexander BilletAug 19, 2023
Sam V.H. Reese reviews Jonathan Leal’s “Dreams in Double-Time: On Race, Freedom, and Bebop."
Sam V. H. ReeseAug 9, 2023
Tim Riley reviews Laurie Winer’s “Oscar Hammerstein II and the Invention of the Musical.”
Tim RileyJul 6, 2023
Ali Royals reviews Nicholas Britell’s “Succession: Season 4” soundtrack.
Ali RoyalsJul 2, 2023
Vivian Medithi reviews McKenzie Wark’s “Raving.”
Vivian MedithiJun 29, 2023