Word and Deed: On Lynn Ellen Patyk’s “Written in Blood: Revolutionary Terrorism and Russian Literary Culture, 1861–1881”
Chelsea C. Gibson on “Written in Blood: Revolutionary Terrorism and Russian Literary Culture, 1861–1881” by Lynn Ellen Patyk.
"Writing only leads to more writing." — Colette
Chelsea C. Gibson on “Written in Blood: Revolutionary Terrorism and Russian Literary Culture, 1861–1881” by Lynn Ellen Patyk.
Chelsea GibsonMar 23, 2018
Stephanie Foote navigates “From Warm Center to Ragged Edge: The Erosion of Midwestern Literary and Historical Regionalism, 1920–1965” by Jon K. Lauck.
Stephanie FooteMar 18, 2018
What do Frederick Douglass and the New Criticism have in common?
Michael MeranzeMar 15, 2018
Colin Vanderburg on Brent Hayes Edwards’s “Epistrophies: Jazz and the Literary Imagination.”
Colin VanderburgMar 3, 2018
Alex Espinoza talks with Benjamin Bateman about his new book, “The Modernist Art of Queer Survival.”
Alex EspinozaFeb 25, 2018
Ryan McIlvain reflects on the possibilities of merging high-brow literature with low-brow entertainment.
Ryan McIlvainFeb 16, 2018
Amanda Dennis cracks open “Samuel Beckett Is Closed” by Michael Coffey.
Amanda DennisFeb 13, 2018
John Tytell ranges over “The Dawn Watch: Joseph Conrad in a Global World” by Maya Jasanoff.
John TytellFeb 10, 2018
On Rebekah Sheldon's "The Child to Come: Life after the Human Catastrophe."
Veronica HollingerFeb 3, 2018
Birger Vanwesenbeeck revisits Jacques Derrida’s famous lecture “La Différance” on its 50th anniversary.
Birger VanwesenbeeckJan 27, 2018
Bruce Robbins reads Merve Emre's "Paraliterary: The Making of Bad Readers in Postwar America."
Bruce RobbinsJan 21, 2018
“Race and Popular Fantasy Literature” offers a devastating case against fantasy.
De Witt Douglas KilgoreJan 20, 2018