Hong Sang-soo’s Dream Time
On Hong Sang-soo's "The Day After" and the filmmaker's place in slow cinema.
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
On Hong Sang-soo's "The Day After" and the filmmaker's place in slow cinema.
Xueli WangMay 24, 2018
Much of "The Ashtray" is witty, ebullient, and generous. Errol Morris shares his wide range of interests, and his enthusiasm for philosophy is infectious.
Philip KitcherMay 18, 2018
Leon Hendrix talks to filmmaker Shola Lynch about her past projects and her work at the Schomburg Center for Research in Black Culture.
Leon HendrixMay 13, 2018
Megan Moodie interviews Irene Lusztig about her new movie, "Yours in Sisterhood."
Megan MoodieMay 11, 2018
In “Isle of Dogs,” Anderson seems to ask what forms, what styles, are commensurate to rage.
Marc DragonMay 9, 2018
"Ready Player One" is an instance of near-perfect alignment of the motives of both hit director and Hollywood studio: an apologia for corporate artwork.
Palmer RampellMay 3, 2018
Rachel Shteir looks at tales of violence in Chicago.
Rachel ShteirMay 2, 2018
Aaron Bady wonders: can you imagine how exhausting it has been to build the Marvel Cinematic Universe?
Aaron BadyMay 2, 2018
Lennard Davis on "A Quiet Place" and the state of deaf characters in contemporary film.
Lennard J. DavisApr 20, 2018
Kelly Coyne revisits "Grey Gardens."
Kelly Marie CoyneApr 18, 2018
On the virtual reality of consumer capitalism …
Douglas LainApr 18, 2018
Sasha Razor interviews Slava Tsukerman, Yuri Neyman, and Marina Levikova, the visionaries behind the cult classic “Liquid Sky” (1982).
Sasha RazorApr 14, 2018