The Fine Line Between Liberation and Self-Destruction: A Conversation with Allie Rowbottom
Genevieve Hudson interviews Allie Rowbottom about her new novel, “Aesthetica.”
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Genevieve Hudson interviews Allie Rowbottom about her new novel, “Aesthetica.”
Genevieve HudsonNov 30, 2022
Luis Jaramillo talks with Alison B. Hart about her debut novel, “The Work Wife.”
Luis JaramilloNov 29, 2022
Cory Oldweiler reviews Ottilie Mulzet’s new translation of László Krasznahorkai’s “A Mountain to the North, a Lake to the South, Paths to the West, a River to the East.”
Cory OldweilerNov 26, 2022
Josh Weeks reviews Chilean author Nona Fernández’s novel “Space Invaders,” translated by Natasha Wimmer.
Josh WeeksNov 24, 2022
John Havard reviews Andrew Sean Greer’s new novel “Less Is Lost.”
John HavardNov 14, 2022
Billy J. Stratton reviews Claire G. Coleman’s novel “Terra Nullius.”
Billy J. StrattonNov 12, 2022
Bennett Parten considers Karen Joy Fowler’s new novel, “Booth,” about the United States’ most notorious assassin.
Bennett PartenNov 11, 2022
Jenny Wu reviews Li Zi Shu’s “The Age of Goodbyes,” translated by YZ Chin.
Jenny WuNov 10, 2022
Adam Dalva confronts his online chess addiction via Stefan Zweig’s “Chess Story.”
Adam DalvaNov 8, 2022
Liza St. James talks with Ashton Politanoff about his new book “You’ll Like It Here.”
Liza St. JamesNov 5, 2022
Hannah Kofman reviews Saskia Vogel’s translation of Johanne Lykke Holm’s “Strega.”
Hannah KofmanNov 1, 2022
Terry Nguyen reviews Katherine Dunn’s posthumously published novel “Toad.”
Terry NguyenOct 31, 2022