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I’m Only Interested in the Real: A Conversation Between Rachel Cusk and Ira Sachs
In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the creative process.
Fiction
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Radioactive as in Radiant: On Liliana Colanzi’s “You Glow in the Dark”
Ruth Joffre reviews Liliana Colanzi’s “You Glow in the Dark.”
It Was Me and Not Me All the Time: A Conversation with Eileen Myles
Lydia Eno interviews Eileen Myles for the 30th anniversary of “Chelsea Girls.”
A Past That Must Be Denied: Borges in Japan
Ryan Shea revisits Guillermo Gasió’s 1988 anthology “Borges en Japon, Japon en Borges.”
War, Perpetuated: On Sasha Vasilyuk’s “Your Presence Is Mandatory”
Svetlana Satchkova reviews Sasha Vasilyuk’s “Your Presence Is Mandatory.”
Sweet Emptiness: On Nicolette Polek’s “Bitter Water Opera”
Brittany Menjivar reviews Nicolette Polek’s “Bitter Water Opera.”
The Empty Spotlight: On Nicolette Polek’s “Bitter Water Opera”
Dashiel Carrera reviews Nicolette Polek’s “Bitter Water Opera.”
In the Midst of Life, We Are in Death: On Marina Yuszczuk’s “Thirst”
Zachary Gillan reviews Marina Yuszczuk’s “Thirst.”
One Long, Queasy Confession: On Lucas Rijneveld’s “My Heavenly Favorite”
Francesca Peacock reviews Lucas Rijneveld’s “My Heavenly Favorite.”
Listening for Echoes of Eleanor: On Elizabeth Hand’s “A Haunting on the Hill”
Shannon Scott reviews Elizabeth Hand’s “A Haunting on the Hill.”
Haunted Native America: On Theodore C. Van Alst Jr. and Shane Hawk’s “Never Whistle at Night”
Eric Gary Anderson reviews Theodore C. Van Alst Jr. and Shane Hawk’s “Never Whistle at Night: An Indigenous Dark Fiction Anthology.”
Violent Revelations: On Heather Lewis’s “Notice”
Emmeline Clein reviews the reissued edition of “Notice” by Heather Lewis.
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