The Predictor
In "Ear to the Ground", Ulin and Kolsby have fun poking at the excesses of Hollywood in a relevant social novel somewhere on the shelf near James M. Cain.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
In "Ear to the Ground", Ulin and Kolsby have fun poking at the excesses of Hollywood in a relevant social novel somewhere on the shelf near James M. Cain.
Scott LaughlinAug 7, 2016
Nina Revoyr talks to Nicole Dennis-Benn about her novel “Here Comes the Sun”, Jamaica, class, and art.
Nina RevoyrAug 7, 2016
"Ploughshares" Editor-in-Chief Ladette Randolph interviews Lauren Groff about her time as guest editor for the revered publication.
Ladette RandolphAug 6, 2016
Ruth Gilligan on Belinda McKeon's "Tender".
Ruth GilliganAug 6, 2016
So far, Chris Kraus’s new position in the mainstream orbit of Jill Soloway hasn't produced an assessment of the Jewish questions that pervade Kraus’s books.
Rebecca SonkinAug 5, 2016
What would Denis Diderot think of a campus protest?
Robert Cremins, Robert ZaretskyAug 2, 2016
Swedish novelists Liza Marklund, Camilla Läckberg, and Helene Tursten craft strong female investigators who are not in service to male fantasies
Rosemary Erickson JohnsenAug 2, 2016
Sarah Wang interviews Juliana Romano about her new novel, "Summer in the Invisible City".
Sarah WangJul 30, 2016
Lily Gurton-Wachter surveys the literature of pregnancy and new motherhood, from Charlotte Perkins Gilman to Rivka Galchen.
Lily Gurton-WachterJul 29, 2016
Ramsey Mathews on Joy Williams's "Ninety-nine Stories of God".
Ramsey MathewsJul 28, 2016
26-year-old virgin Julia spends her summer seeking someone to deflower her, and thus cure her existential angst, in Emma Rathbone’s debut novel “Losing It”.
Stephanie PushawJul 27, 2016
Matt King reviews Jesse Ball's "How to Set a Fire and Why".
Matt KingJul 25, 2016