Pulling in and Down: On Jennifer Egan’s “Manhattan Beach”
Nandini Balial considers Jennifer Egan's latest.
"Fiction is obliged to stick to possibilities. Truth isn't." — Mark Twain
Nandini Balial considers Jennifer Egan's latest.
Nandini BalialOct 26, 2017
When was the last time you heard someone say Balanchine's name? Jean Lenihan reviews "The Complete Ballet: A Fictional Essay in Five Acts."
Jean LenihanOct 26, 2017
Willa Cather’s realist novel “My Ántonia” turns out to be rather unreal when it came to depicting frontier life in all its difficulty.
Robert SlaytonOct 25, 2017
Yelena Furman on “City Folk and Country Folk,” a rediscovered novel by the 19th-century Russian writer Sofia Khvoshchinskaya.
Yelena FurmanOct 24, 2017
Julia Elsky reviews Mihail Sebastian's 1934 novel "For Two Thousand Years."
Julia ElskyOct 18, 2017
Deborah E. Kennedy reviews Nicola Lagioia's Strega Prize–winning novel "Ferocity."
Deborah E. KennedyOct 18, 2017
Sophie Browner reviews Rachel Khong’s cheerfully absurd debut “Goodbye, Vitamin.”
Sophie BrownerOct 18, 2017
Christina Soto van der Plas on two recent novels by Puerto Rican writer Eduardo Lalo, "Uselessness" and "Simone."
Christina Soto van der PlasOct 17, 2017
Rosalie Metro reviews Charmaine Craig's "Miss Burma."
Rosalie MetroOct 16, 2017
Scott Lankford reviews Greg Sarris’s new collection of folktales.
Scott LankfordOct 16, 2017
Geoff Nicholson on the collected short stories of Kurt Vonnegut.
Geoff NicholsonOct 15, 2017
Michael Valinsky reviews Cristina García's novel "Here in Berlin."
Michael ValinskyOct 12, 2017