No Forbidden Places: On Joyce Mansour’s “Emerald Wounds”
Ama Kwarteng reviews “Emerald Wounds” by Joyce Mansour.
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Ama Kwarteng reviews “Emerald Wounds” by Joyce Mansour.
Ama KwartengDec 31, 2023
Christopher Kondrich reviews Brandon Shimoda’s “Hydra Medusa” and Eleni Sikelianos’s “Your Kingdom.”
Christopher KondrichDec 20, 2023
Mariella Rudi reviews Susanne Wedlich’s “Slime: A Natural History” and Christopher Michlig’s “File Under: Slime.”
Mariella RudiDec 17, 2023
Brandon Tensley revisits “Sister Act 2: Back in the Habit” as an underrated entry in the hood drama genre.
Brandon TensleyDec 14, 2023
Lori Gallegos outlines the contributions Latinx philosophers have made to the ethics of immigration.
Lori GallegosDec 11, 2023
Patrick R. Crowley reviews Donatien Grau’s “De Civitate Angelorum.”
Patrick R. CrowleyDec 9, 2023
Merry White and Benjamin Aldes Wurgaft discuss their new book “Ways of Eating: Exploring Food Through History and Culture.”
Benjamin Aldes Wurgaft, Merry WhiteDec 7, 2023
Vanessa Wills argues that philosophical engagement is a necessary alternative to anti-intellectual nihilism and resurgent authoritarianism.
Vanessa WillsNov 27, 2023
Rebecca Teich reviews Kimberly Alidio’s “Teeter.”
Rebecca TeichNov 21, 2023
Tanya Ward Goodman reviews Minna Dubin’s “Mom Rage: The Everyday Crisis of Modern Motherhood.”
Tanya Ward GoodmanNov 20, 2023
Yangyang Cheng reviews Joshua Kurlantzick’s “Beijing’s Global Media Offensive: China’s Uneven Campaign to Influence Asia and the World” and Michael Berry’s “Jia Zhangke on Jia Zhangke.”
Yangyang ChengNov 18, 2023
Melissa Chan writes about the performance of Wagner operas in China.
Melissa ChanNov 13, 2023