Hip Hop and CARICOM Turned 50 Last Year—So, Now What?
Patrick A. Howell and Gennike A. Mayers write about the history of interchange between hip-hop music and the Caribbean Community.
"Culture is an instrument wielded by professors to manufacture professors." — Simone Weil
Patrick A. Howell and Gennike A. Mayers write about the history of interchange between hip-hop music and the Caribbean Community.
Gennike A. Mayers, Patrick A. HowellJan 27, 2024
Adedayo Agarau reviews Sarah Ghazal Ali’s “Theophanies.”
Adedayo AgarauJan 16, 2024
Natasha Hakimi Zapata interviews Megan Fernandes and Edgar Kunz about their new poetry collections.
Natasha Hakimi ZapataJan 15, 2024
Emmeline Clein reviews Kate Manne’s “Unshrinking: How to Face Fatphobia.”
Emmeline CleinJan 13, 2024
Michael Dango dissects the history and stakes of Madonna studies.
Michael DangoJan 12, 2024
Michael Weinstein reviews “How to Communicate” by John Lee Clark and “Aster of Ceremonies” by JJJJJerome Ellis.
Michael M. WeinsteinJan 10, 2024
David Wolpe reviews Nora Gold’s “18: Jewish Stories Translated from 18 Languages.”
David WolpeJan 6, 2024
The Ins/Outs of 2024, as predicted by LARB social media director Maya Chen.
Maya ChenJan 1, 2024
Ama Kwarteng reviews “Emerald Wounds” by Joyce Mansour.
Ama KwartengDec 31, 2023
Christopher Kondrich reviews Brandon Shimoda’s “Hydra Medusa” and Eleni Sikelianos’s “Your Kingdom.”
Christopher KondrichDec 20, 2023
Mariella Rudi reviews Susanne Wedlich’s “Slime: A Natural History” and Christopher Michlig’s “File Under: Slime.”
Mariella RudiDec 17, 2023
Brandon Tensley revisits “Sister Act 2: Back in the Habit” as an underrated entry in the hood drama genre.
Brandon TensleyDec 14, 2023