“The Stamp is Never Neutral”: Vincent Sardon’s “The Stampographer”
Stamps can terrorize because while their materiality exists in time, like that of paintings, it also compacts it.
"All lurid, unsavory, gruesome illustrations shall be eliminated." — Comics Code, 1954
Stamps can terrorize because while their materiality exists in time, like that of paintings, it also compacts it.
Mairead CaseJan 21, 2018
R. Sikoryak on his new book, "The Unquotable Trump."
Brad PragerDec 30, 2017
Russ Kick’s "The Graphic Canon of Crime and Mystery" is, for now, the most sustained anthology of comic art in the English language.
Paul BuhleDec 23, 2017
Henry Cherry interviews comics writer Gabe Soria about his new book, "Murder Ballads."
Henry CherryDec 3, 2017
Katherine West and Chet Whipley's graphic essay about the spectatorial nature of women’s vulnerability and visibility in the workplace.
Chet Whipley, Katherine WestNov 14, 2017
John W. W. Zeiser reviews Peter Bagge's graphic biography "Fire!! The Zora Neale Hurston Story."
John W. W. ZeiserNov 13, 2017
Nathan Goldman speaks with Eli Valley about Trump, Kafka, the John Podhoretzes of the world, and "Diaspora Boy: Comics on Crisis in America and Israel."
Nathan GoldmanNov 11, 2017
Colin Beineke reviews several new horror comics, including "The Showdown Volume 2," "H. P. Lovecraft’s The Hound and Other Stories," and "Laid Waste."
Colin BeinekeOct 31, 2017
A review of two recent comics for young adults.
Jens LloydOct 27, 2017
"Aleister & Adolf" emphasizes the importance of understanding how messages are created, how they are used, and how they persist over time.
Chris YogerstOct 21, 2017
Evan McGarvey reviews the fifth volume of Greg Rucka and Michael Lark's "Lazarus."
Evan McGarveyOct 14, 2017
Daniel Worden reviews Gary Panter's latest.
Daniel WordenSep 16, 2017