In Defense of the Medium
Hillary Chute's "Why Comics?" provide a counternarrative to the corporate history of mainstream comics.
"All lurid, unsavory, gruesome illustrations shall be eliminated." — Comics Code, 1954
Hillary Chute's "Why Comics?" provide a counternarrative to the corporate history of mainstream comics.
Alex MillerAug 18, 2018
Tahneer Oksman talks to comics artist Aline Kominsky-Crumb about her recently reissued collection, "Love That Bunch."
Tahneer OksmanJul 14, 2018
Nick Drnaso makes comics of acute psychological realism that approach their subjects from an almost anthropological remove.
Greg HunterJul 14, 2018
On the history of black superheroes and black revolutionaries.
Amy OngiriJun 23, 2018
Colin Beineke talks with comic book editor Daniel Chabon, who has worked on "Black Hammer," "Harrow County," and "American Gods."
Colin BeinekeJun 23, 2018
“Why Art?” is physically delightful: it just feels good to hold in your hands and flip through.
Etelka LehoczkyJun 2, 2018
Chris Yogerst on Bob Batchelor's recent biography of the comic book legend.
Chris YogerstApr 21, 2018
On "Incognegro," moving between literary fiction and graphic novels, and the Harlem Renaissance.
Alex DuebenApr 21, 2018
Sarah Chihaya talks to Adrian Tomine about his writing process, Asian-American literature, and the Bay Area.
Sarah ChihayaMar 24, 2018
Ashley Rattner reviews Paul Buhle and Noah Van Sciver's graphic biography "Johnny Appleseed."
Ashley RattnerMar 24, 2018
Saladin Ahmed and Christian Ward's "Black Bolt Vol. 1: Hard Time" speaks to reviewer Jackson Ayres.
Jackson AyresMar 17, 2018
On Jules Feiffer's time at Playboy.
Paul MortonFeb 1, 2018