Open to Critique: An Interview with Jeremy O. Harris
Christopher Shinn talks to Jeremy O. Harris about his recent plays “‘Daddy’” and “Slave Play.”
"Art is making something out of nothing and selling it." — Frank Zappa
Christopher Shinn talks to Jeremy O. Harris about his recent plays “‘Daddy’” and “Slave Play.”
Christopher ShinnNov 1, 2019
Eunsong Kim considers Dread Scott’s "Lockdown" (2000–2004) and Gaye Chan’s "Historic Waikiki" (2001).
Eunsong KimOct 31, 2019
Megan Ward looks at the 2018 film “Museo,” starring Gael García Bernal, and contemporary debates around museum repatriation and cultural memory.
Megan WardOct 30, 2019
“Five Oceans in a Teaspoon,” the new collaboration between poet Dennis J. Bernstein and artist Warren Lehrer, is a masterpiece of poetic visualization.
Johanna Drucker Oct 10, 2019
Notre-Dame is being restored — either as a sensationalized jewel of contemporary French architecture or as a monument to the “greatness” of France’s past.
Danny SmithOct 7, 2019
Vanessa Chang considers Obvious's "Portrait of Edmond de Belamy" and the history of AI artistry.
Vanessa ChangOct 5, 2019
Deborah Krieger goes through "Sara Berman’s Closet."
Deborah KriegerOct 2, 2019
Megan Race admires “Marius Petipa: The Emperor’s Ballet Master” by Nadine Meisner.
Megan RaceSep 29, 2019
In collaboration with Creative Capital, LARB will publish 12 essays over 12 months on issues facing contemporary art in the United States.
Johanna FatemanSep 26, 2019
Eleanor Paynter and Nicole Miller consider artist Christoph Büchel's recent piece, "Barca Nostra."
Eleanor Paynter, Nicole MillerSep 22, 2019
Stuart Walton reviews Bernard Lahire's "This is Not Just a Painting."
Stuart WaltonSep 19, 2019
Sarah Cozort speaks to Shawn Levy, author of “Castle on Sunset: Life, Death, Love, Art, and Scandal at Hollywood’s Chateau Marmont.”
Sarah CozortSep 13, 2019