Rising Temperatures: Maggie O'Farrell's "Instructions for a Heatwave"
Following one sprawling family over four days of searing temperatures in 1976 London, Instructions for a Heatwave – O'Farrell's sixth novel – is perhaps a perfect book.
Following one sprawling family over four days of searing temperatures in 1976 London, Instructions for a Heatwave – O'Farrell's sixth novel – is perhaps a perfect book.
The growing epidemic of afluenza is diagnosed in Paul G. Harris’s new book on the politics of climate change.
The watershed year of the 20th century; the year we became modern.
Enter Obscenely Yours, Angelo Nikolopoulos’s debut book of poems, and here it is again: that freedom of desire, a broad daylight kind of sexuality...
While many have categorized Sorted Books as a kind of poetry, Nina Katchadourian’s pieces are rarely taken seriously as poems or read in a poetic tradition.
Why a book about Indians that was rejected by 31 American publishers became a runaway bestseller in Canada.
Caleb Crain's Necessary Errors "chronicles the course of a liberating year in the life of a young American in Prague at the beginning of the 1990s."
Alexander Cockburn, one of the great radical journalists of his generation, issues his final critique on an America suffering from a culture of class warfare.
An "introduction to research in the archives" might be something lugubrious, "a tour of silent rooms in which benumbed readers sit with eyes half-closed, choking quietly on drifting clouds of powdery dust."
Revisiting Pamela Moore's "Chocolates Before Breakfast"
There’s a lot to be nervous about in the new China, as Perry Link and his colleagues show.
Eroticism was Frost’s focus in Sex Drives; pleasure — somatic, aesthetic, and intellectual — is her concern here.
Jonathan Franzen has done something of real consequence, making Karl Kraus known and available in a new way.
One of the great strengths of Badiou’s philosophy is his complete lack of cynicism and willingness to risk folly in the pursuit of truth. It means that his analysis of the present is always injected with an untimely classicism and grandeur.