Jhumpa Lahiri’s Real America: On “The Lowland”
Urmila Seshagiri review's Jhumpa Lahiri’s The Lowland (Knopf, 2013).
Urmila Seshagiri review's Jhumpa Lahiri’s The Lowland (Knopf, 2013).
What’s your karaoke song? Rob Sheffield, one of the best music writers around, on love and ritual.
A complex and convoluted web of literary espionage, petty crime, gun violence, and revenge by David Samuel Levinson.
Peter Orner’s Last Car Over the Sagamore Bridge is fragmented. That’s what makes it hang together.
A novel of our current, confusing, contradictory moment of masculinity.
For all the combustible material these stories contain, they rarely combust.
To be clear, it wasn’t that Pochoda felt like she couldn’t write Val and June as black girls, it is that she chose not to.
“Far from home, instead of finding refuge from Hollywood, Orson Welles had found in Italy another country that didn’t understand him.”
It’s story that is so seductive in Marisha Pessl's Night Film, a pleasure immediately ignited by a TIME.com slideshow about Cordova’s life and career.
Night Film is a novel for the digital age, but if this is the kind of fiction our age produces, then these are dark times indeed.
The third cities — Chicago and San Francisco — and the love and hate they inspire.