There Are No Words
Young Widower John Evans discovers that the only way to survive the unspeakable is to say it out loud.
Young Widower John Evans discovers that the only way to survive the unspeakable is to say it out loud.
What do English professors do with literature? And what might the next era of literary scholarship look like?
MariNaomi does a graphic review of Mimi Pond's latest from Drawn & Quarterly
Carl Wilson confronts a musical work he cannot understand the merits of: Céline Dion’s Let’s Talk About Love. Every critic should be attempting these experiments on a regular basis.
The ramifications of China’s one-child policy on its female population are provocatively laid out in Leta Hong Fincher’s new book.
If we want more accountability in our public and private institutions, we must also ask more of ourselves, according to Andrew Soll.
Jonathan Kirsch reviews Jeff Sharlet’s book on belief in America.
Is reality truly just a void? John Caruana discusses in his review of Simone Weil and Theology.
In Fresh Off the Boat, Chef Eddie Huang’s thoughts on race and masculinity are provocative but they often result in the memoir’s most muddled arguments.
Sandra Swinburne reviews Lynne Sharon Schwartz’s essay collection that brims with intimate glimpses.
Martin Parr and Gerry Badger don’t discuss art, but rather they reevaluate what is and isn’t worthy of attention, whether it’s art or not.
After reading A History of Religion in 5 1/2 Objects you’ll never think about religion the same way again.
David James Poissant artfully mirrors the struggles, hopes, and failures of humans and humans in his melancholic debut short story collection.
We’re farther away now from the silent era than we ever have been, but, in many ways, we may be closer than we think.