Gushing and Gleeking
Carly Hallman maps out a surreal and wobbly moral universe in her bold debut, "Year of the Goose."
Carly Hallman maps out a surreal and wobbly moral universe in her bold debut, "Year of the Goose."
The embrace of otherness, of stepping outside the self, typifies Colum McCann's career.
Mukherjee's laws of medicine are laws of uncertainty, imprecision, and incompleteness.
For Roberge, all scraps of remembrance coexist on the page, as if to remind us that memory is associative.
Robert Trivers is the preeminent living evolutionist of our time.
In "The Island of Knowledge," Marcelo Gleiser wants to forge a third way between scientism and obscurantism.
Cixin Liu's "The Dark Forest" takes up the Fermi Paradox as one of its central narrative and thematic problems.
The debut issue of "Salvage" engages with the hopeful and pessimistic realities of this ruined and dead world.
What emerges most powerfully from "The Longest Night" is a kind of quiet wonder at how a person can come to exist in another.
László Krasznahorkai's "Destruction and Sorrow Beneath the Heavens" chronicles a pilgrimage in search of the authentic China.
"Laurus" is no seamless dream of Russia's past but a very clever, self-aware contemporary novel that nevertheless holds that dream deep in its heart.
Grandin wants us to think about "the outsized role" Kissinger "had in creating the world we live in today, which accepts endless war as a matter of course."
Michael Jackson’s “definitive” biographers have all failed to excavate the human being from the mythology and misinformation built up over the decades.
Rachel Cantor's "Good on Paper" is an exploration of the chasm between languages and people.
"The Narrow Door" is a memoir about how grief transforms us.