Art is Mute, but We Want to Talk: On David Salle’s “How to See”
Glen Roven takes a good look at “How to See” by David Salle.
Glen Roven takes a good look at “How to See” by David Salle.
A modern-day Humbert Humbert and the troubled vibrations emanating from the contemporary college campus.
Dan Friedman reviews “Home and Away: Writing the Beautiful Game” by Karl Ove Knausgaard and Fredrik Ekelund.
Bernie Sanders delegate Tom Gallagher takes an inside look at his candidate’s campaign manifesto.
Imagining Huck after his reluctant coming-of-age and his decision to risk hell in stealing Jim out of slavery has been both fruitful and fraught-filled.
Greg Barnhisel reviews two books on the Cultural Cold War.
Kim Fay reviews “Gesell Dome” by Guillermo Saccomanno.
Strange bedfellows: The CIA and culture mavens collude in the Cold War and beyond.
Ranbir Singh Sidhu has his character read Spinoza as his route to freedom in “Deep Singh Blue.”
Kevin McMahon appreciates the focus of “Kenneth Clark: Life, Art and Civilisation” by James Stourton.
Alina Cohen on Amie Barrodale's "You Are Having a Good Time."
Anything could happen in Clancy Sigal’s 1950s.
When did Steven Spielberg grow up? Dan Erdman looks to Molly Haskell's "Steven Spielberg: A Life in Films" to find out.
Stephen J. Gallas reviews a new book about North Korea.
Lynne Sharon Schwartz on "Cockroaches," Scholastique Mukasonga's look at the Rwandan genocide.
Hooman Majd finds the words to express his love for André Aciman's "Enigma Variations."