Pancakes and Pea Soup
Glenn Harper on Helene Tursten's "Who Watcheth."
Glenn Harper on Helene Tursten's "Who Watcheth."
In Lindsey Lee Johnson’s “The Most Dangerous Place on Earth” privileged teenagers deal with the aftermath of a peer’s suicide.
Sigizmund Krzhizhanovsky asks us, what do we want from a story, even when we know it is not fully true?
Woody Haut takes a stroll through “The Evenings,” a classic Dutch novel by Gerard Reve.
Is America at risk of becoming Orwell's nightmare?
Tom Gallagher reviews Thomas J. Knock’s “The Rise of a Priarie Statesman.”
Kristina Marie Darling considers constructions of intimacy in the poetry of Jennifer S. Cheng, Rochelle Hurt, and Karen Volkman.
Adrian Daub reviews Marjorie Perloff’s “Edge of Irony: Modernism in the Shadow of the Habsburg Empire.”
Alicia Mosley on Natashia Deón's "Grace."
Skye C. Cleary gets to the bottom of "What Love Is."
As the title of Laurel Thatcher Ulrich’s 2007 book affirms, Well-Behaved Women Seldom Make History — like Mormon women.
A. E. Stallings admires the ludic and lucid poems of “Stone Fruit” by Stephen Yenser.
Ruth Gilligan on Eimear McBride's "The Lesser Bohemians."
Dorna Khazeni on Tracy Tynan's memoir "Wear and Tear."
Christie Watson on Rachel Cusk's "Transit."
Mark Danner delivers eloquent and brutally direct assessments of the war policies of both Bush and Obama.