The Most Beautiful Tree: On Christopher Merrill’s “Self-Portrait with Dogwood”
Noah Blaustein appreciates “Self-Portrait with Dogwood,” a book of nonfiction by Christopher Merrill.
Noah Blaustein appreciates “Self-Portrait with Dogwood,” a book of nonfiction by Christopher Merrill.
Making sense of Nabokov’s dreams.
Eric Newman considers Jonathan Dollimore's "Desire: A Memoir."
Andy Weir returns to space with his examination of the dark side of life on the Moon in “Artemis.”
Houman Barekat is struck by “The Last Bell,” a collection of stories by German Bohemian writer Johannes Urzidil.
Todd Miller’s new book about climate migrancy and border security.
Renee Hudson appraises William Demby’s experimental novel “King Comus” in the context of black speculative fiction and the neo-slave narrative.
Amanda Fletcher grapples with Carolyn Murnick’s “The Hot One,” a memoir of friendship, murder, and Hollywood.
Loree L. Westron reflects on “Fox Season: and Other Short Stories” by Agnieszka Dale.
Stephen Rohde on Katy Tur's "Unbelievable: My Front-Row Seat to the Craziest Campaign in American History."
On the career of a brilliant, neglected fabulist.
Sibelan Forrester praises “Writings from the Golden Age of Russian Poetry,” a biography-cum-anthology of Konstantin Batyushkov, presented by Peter France.
Casey Walker on Fernando Pessoa, Teolinda Gersão, and the mysteries of Lisbon.
M. W. Larson visits Hiromi Kawakami's "The Nakano Thrift Shop."
Jacqui Shine reviews Malcolm Harris’s “Kids These Days: Human Capital and the Making of Millennials.”
In defense of allegory.