Fascism in the Offing
Adrian Van Young reviews “Transcription” by Kate Atkinson.
Adrian Van Young reviews “Transcription” by Kate Atkinson.
"Americus," saturated by emotional taboos and an overarching miasma of racism, reads as a mortician’s journal of an extended embalming.
In “Welcome to the Anthropocene,” Alice Major sets up the natural world as dominant over our knowledge of it.
Eloisa Morra unmasks the challenging nature of Anna Maria Ortese’s classic fiction-reportage hybrid “Neapolitan Chronicles.”
Caryl Emerson considers the legacy of the late Vladimir Sharov, whose novel “The Rehearsals” is now available in Oliver Ready’s translation.
Rowland Bagnall considers “Like” by A. E. Stallings.
Kevin Hart reviews two new books about Richard Kearney's work, "Richard Kearney’s Anatheistic Wager" and "The Art of Anatheism."
"We need to realize that philosophy in the Islamic world has never been just one thing, any more than Islamic culture has been just one thing."
Tomb Song provides a powerful introduction to Herbert, and is, in itself, one of the most significant Latin American literary works of the decade.
With "Crudo," Olivia Laing appropriates Twitter’s trademark intonation, writing in a flippant voice, concise to the point of discarding most punctuation.
A literary friendship, scrupulously enshrined.
Two new books examine the consequences of the failed bid for Palestinian statehood.
Chip Rossetti reviews “Baghdad Noir,” edited by Samuel Shimon and featuring writing by Ahmed Saadawi, Ali Bader, and Roy Scranton.
"How can the novel, and in particular the realist novel, deal with an event like the flash crash of 2010 or something like high-frequency trading?"
Ryan Boyd reviews John Warner’s new manifesto for the writing classroom.
Danielle Charette read-trips through Gary Shteyngart’s “Lake Success” and James and Deborah Fallows’s “Our Towns.”