Beginning to See the Light
Rowland Bagnall dives into the early work of Stephen Shore, newly collected by MACK.
Rowland Bagnall dives into the early work of Stephen Shore, newly collected by MACK.
A palace of fine arts sinks into historical depths in Beatriz Cortez’s exhibition at Commonwealth and Council.
Drew Basile reads the new English reissue of French author Michel Tournier’s novel “Friday.”
Emy Manini faces Alma Katsu’s demons while reading her newest novel, “Fiend.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Hannah Tennant-Moore explores Jesse James Rose’s debut memoir.
Tim Brinkhof considers Joe Wright’s new Mussolini miniseries as a flawed representation of the rise of fascism in Italy.
Historian Paul Finkelman praises Brad Snyder’s new account of a wrongfully convicted civil rights hero.
Sumaiya Aftab Ahmed considers “38 Londres Street: On Impunity, Pinochet in England, and a Nazi in Patagonia,” the newest book from Philippe Sands.
Karen E. Park explores Kristin Grady Gilger’s “mother memoir” about her son’s most troubling decision: to become a Catholic priest.
Heather Treseler accepts the challenge of “The Poems of Seamus Heaney,” a new “definitive collection” of the Irish poet’s work.
Joel Edward Goza dives into Calvin Schermerhorn’s new study of American history, tracing a financial pattern of racial exploitation that’s woven into the nation’s fabric.
Nathan Xavier Osorio finds pain and tenderness in Donika Kelly’s newest poetry collection.
Clara Cuccaro considers the “myth of resistance” in Joachim Trier’s newest film, “Sentimental Value.”
Cory Oldweiler reviews Hungarian author Krisztina Tóth’s novel “Eye of the Monkey,” newly translated by Ottilie Mulzet.