To Be, or Not to Be, Misunderstood
The most famous line in literature doesn’t mean what ‘Hamnet’ thinks it means.
The most famous line in literature doesn’t mean what ‘Hamnet’ thinks it means.
Evan Brier’s recent book conducts a depressing literary autopsy, complete with case studies.
Two recent books on Idi Amin’s Uganda present an African mirror for Trump’s United States to see itself.
An exhibition charts the ties between East Asia and Latin America, from the colonial era to the new Cold War.
Andrew Martin’s new novel is a chronicle of the overeducated and underachieving stumbling through a post-pandemic haze.
Samuel Cohen’s anthology on book banning diagnoses a recent swell in censorship that’s problematic for more reasons than you’d think.
German director Mascha Schilinski’s visually evocative 2025 film suggests the influence of Francesca Woodman’s photographic work.
The Francis Crick of Matthew Cobb’s new biography was both the consummate insider and a scientific outlier.
In her latest short story collection, Ayşegül Savaş considers lives lived apart.
Keith S. Wilson’s visually experimental poetry examines the ‘asymmetries of risk’ and repetition to expose ‘how violence enters the body as habit.’
Jon Stock’s recent book examines the deplorable career of prominent psychiatrist Willam Sargant and his brand of bio-therapeutics.
Scott Broker’s debut novel is like ‘Scenes from a (Gay) Marriage’ with undertones of Stephen King.
With the World Cup looming in North America this summer, Simon Kuper offers a compelling—and depressing—history of this unique tournament.
After troubleshooting Tim Berners-Lee’s memoir, it becomes clear that the internet’s flaws were there from the start.
A new book on ‘The Magic Mountain’ grapples with the contradictions of history.
On his latest album, the singer-songwriter explores themes of fatherhood, time, and forgiveness.