Life as It Should Be
Devon Halliday on the lure of reality TV in Stephen Fishbach’s novel ‘Escape!’
Devon Halliday on the lure of reality TV in Stephen Fishbach’s novel ‘Escape!’
Radu Jude’s ‘Dracula’ shines sunlight on the vampirism of cinematic AI and the ways studios have bled the vampire IP dry.
M. D. Usher on Paul Kingsnorth’s impassioned and flawed new manifesto against the pervasiveness of technology in modern life.
New books by Dan Wang and Hu Anyan depict ‘both the achievements and the costs of China’s technological rise,’ and why Americans should take note.
On Brenda Navarro’s novel ‘Eating Ashes,’ newly translated by Megan McDowell.
In Elisa Shua Dusapin’s novel ‘The Old Fire,’ newly translated by Aneesa Abbas Higgins, two sisters must find a way to communicate without words.
Dean Rader considers César Vallejo’s ‘The Eternal Dice: Selected Poems,’ recently translated by Margaret Jull Costa.
Larry Wolff attends the October 2025 Parma Verdi Festival to write about ‘Macbeth,’ ‘Otello,’ and ‘Falstaff.’
Dinah Brooke’s 1971 debut novel ‘Love Life of a Cheltenham Lady,’ newly reissued, explores a young woman’s journey to realizing that ‘we should give up the charade’ of ‘heterosexual relationships and the bourgeois family structure.’
Brais Lamela explores fiction, history, and the slipperiness of the nonfiction novel in ‘What Remains,’ newly translated by Jacob Rogers.
Neil Shubin’s stories of polar exploration tell us about the losses ahead.
What the ancients can teach us about cultivating a sustainable world.
Monique Wittig’s novels ‘The Lesbian Body’ and ‘Across the Acheron’ have just received new editions that reflect the feminist thinker’s ongoing cultural impact.
John Knych dissects Hiron Ennes’s ‘The Works of Vermin.’
Irene Katz Connelly argues for a new approach to witch hysteria via two recent novels, Olga Ravn’s ‘The Wax Child’ and Irene Solà’s ‘I Gave You Eyes and You Looked Toward Darkness.’
Gregg Mitman looks at the bodily damage that soldiers take home in Joshua Howe and Alexander Lemons’s ‘Warbody: A Marine Sniper and the Hidden Violence of Modern Warfare.’