Why Don’t We Know Who Bombed Nashville?
Who pulled off the unsolved bombings in Nashville? Jane Marcellus reviews “Dynamite Nashville” by Betsy Phillips, which advances an intriguing possibility.
Who pulled off the unsolved bombings in Nashville? Jane Marcellus reviews “Dynamite Nashville” by Betsy Phillips, which advances an intriguing possibility.
Melissa Saywell explores the influence of science fiction fandom and occultism on the early queer rights movement at the opening of “Sci-Fi, Magick, Queer L.A.” at USC.
Lisa Locascio Nighthawk reviews Rachel Kushner’s divisive new novel, “Creation Lake”—much of the commentary around which feels “personal.”
Paul Reitter discusses the aesthetic and cultural value of “retranslating” classic texts.
In the fourth essay of the Legacies of Eugenics series, Patricia Williams explores how “new-genics” projects encode social bias.
Vincent Chow reviews Fuchsia Dunlop’s “Invitation to a Banquet” and Thomas David DuBois’s “China in Seven Banquets.”
A. J. Urquidi stops going rub-a-dub and instead shakes his Super Bon Bon for Soul Coughing in Downtown L.A.
Julia Berick reviews “Entitlement,” the fourth novel from Rumaan Alam.
Gregg LaGambina interviews PJ Harvey about her most recent book, album, and international tour.
Andrew DeCort reviews Tom Gardner’s “The Abiy Project: God, Power and War in the New Ethiopia.”
Nicole Graev Lipson interviews Jerald Walker about his new essay collection, “Magically Black.”
LARB presents an excerpt from Dorothy’s upcoming reissue of Renee Gladman’s “To After That (TOAF).”
Obi Kaufmann considers the coming of the modern megafire and many misconceptions about California’s land, in an excerpt from “The State of Fire.”
Are YOU prepared for “The Big One”? Brittany Menjivar shelters in place at their second issue launch party in Koreatown.
Eric Newman and Kate Wolf speak with Katherine Bucknell about her new biography of Christopher Isherwood, Christopher Isherwood Inside Out.
Claire Foster reviews Daniel Saldaña París’s “Planes Flying over a Monster,” newly translated by Christina MacSweeney and Philip K. Zimmerman.