Decimated, Then Reassembled on Arrival: Lore Segal’s Legacy
Na’amit Sturm Nagel pays tribute to the late Lore Segal, a novelist who wrote autobiographically.
Na’amit Sturm Nagel pays tribute to the late Lore Segal, a novelist who wrote autobiographically.
Paul Allen Anderson analyzes the failures of the liberal dream in Netflix’s “The Diplomat,” in light of Donald Trump’s reelection.
With the world’s eyes on Syria, Maxine Davey reflects on Najwa al-Qattan’s essay on Rania Abouzeid’s “No Turning Back” and the human cost of the civil war.
The LARB Quarterly, no. 43: “Fixation” presents new poems from Jenny Xie, Claressinka Anderson, and emet ezell.
Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis to discuss her novel “Versailles.”
Katie Peterson reviews “What Remains: The Collected Poems of Hannah Arendt,” translated and edited by Samantha Rose Hill with Genese Grill.
Visiting Trinity Site, location of the Manhattan Project, Christopher Kempf is stunned by the failures of the American curatorial imagination.
Blaire Briody considers localized extremism as portrayed in Sasha Abramsky’s “Chaos Comes Calling: The Battle Against the Far-Right Takeover of Small-Town America.”
Lauren Eriks Cline looks back at 20 years of the TV series “Lost” and the lessons it holds for us today.
A. J. Urquidi battles winter temperatures, Trump cameos, and banh mi wait times to reevaluate the first two “Home Alone” movies at an L.A. outdoor screening.
Brontez Purnell pays tribute to Madonna through a close reading of her performance in “Desperately Seeking Susan,” in an essay from the LARB Quarterly issue no. 43, “Fixation.”
After an oil Mordor detour, Steve Kado meets artist-orchidist Jason Gomez and the plant perverts at CSU Bakersfield’s gallery.
In conversation at a LARB Luminary Dinner, Richard Powers and Rosanna Xia discuss cross-genre environmental writing, storytelling as music-making, and finding inspiration at the bottom of the ocean.
Robert Louis Stevenson scholar Trenton B. Olsen reviews “A Wilder Shore” by Camille Peri.
In an essay from the LARB Quarterly issue no. 43, “Fixation,” Charlie Clewis reports from a military compound in the Syrian desert.
Kate Wolf speaks to filmmaker Raoul Peck about his latest documentary, “Ernest Cole: Lost and Found,” out in theaters now.