History for Sale: On Paige Williams’s “The Dinosaur Artist: Obsession, Betrayal, and the Quest for Earth’s Ultimate Trophy”
Lydia Pyne digs into “The Dinosaur Artist: Obsession, Betrayal, and the Quest for Earth’s Ultimate Trophy” by Paige Williams.
Lydia Pyne digs into “The Dinosaur Artist: Obsession, Betrayal, and the Quest for Earth’s Ultimate Trophy” by Paige Williams.
Los Angeles's Ruskin Art Club celebrates its 130th anniversary this month.
Zoe Dubno reviews "Assassination Nation," a "miasma of gore, teen ass, and fake-woke political thought."
Elizabeth Little interviews Lou Berney about his new thriller, “November Road.”
The mystery that Rivera Garza’s detective confronts is framed by primordial fear, a horror that can't be accounted for even by the most radical fairy tales.
A new book about the fracking boom hits close to home.
My L.A. in Four Locations is a running feature. This week, photographer Loretta Ayeroff pays homage to Raymond Chandler.
On Brett Kavanaugh's confirmation: "Those who’ve been privileged to forget will continue to outweigh those who’ve long been carrying the burden to remember"
Scott Selisker reviews Merve Emre’s “The Personality Brokers.”
A prison novel written by a convicted bank robber delivers on more than the author’s backstory.
Harper Simon asks philosopher Jaron Lanier about his latest book, “Ten Arguments for Deleting Your Social Media Accounts Right Now.”
For her Art Inside series, Annie Buckley reflects on the Arts Facilitator Training, a program for incarcerated individuals to lead classes for their peers.
A searing meditation on the cult of materialism, "Familiar Things" is a beautiful and almost uplifting parable about recovering things wantonly discarded.
Anna Journey discusses the experience of being a juror on a criminal trial.
What is the best method for translation? V. Joshua Adams looks to Mark Polizzotti's "Sympathy for the Traitor" to find out.
Bob Blaisdell struggles with Tolstoy and Knausgaard.