“Like Drops in the Same River”: On Yelena Moskovich’s “Virtuoso”
Nadia Beard follows the threads of “Virtuoso,” a “vivid and visceral” novel by Yelena Moskovich.
Nadia Beard follows the threads of “Virtuoso,” a “vivid and visceral” novel by Yelena Moskovich.
A writer with correspondence anxiety seeks advice from Olive, on the latest Asking for a Friend.
Two new cancer memoirs expand a growing canon.
Stephen Rohde delivers a speech on the judicial legacy of Supreme Court Justice Ruth Bader Ginsburg.
Ed Simon considers “Sor Juana: Or, the Persistence of Pop” by Ilan Stavans.
Lewis Page interviews Connor Guy and Alex Davis-Lawrence about their journal Moss focused on the literary scene of the Pacific Northwest.
On “Mother Country” by Irina Reyn, “Savage Feast” by Boris Fishman, and “Immigrant City” by David Bezmozgis.
Alexander C. Kafka discovers an author at war with himself in Joseph Scapellato’s “The Made-Up Man.”
Sara Campos reviews Pulitzer Prize–winning journalist Jose Antonio Vargas new memoir, "Dear America: Notes of an Undocumented Citizen."
What brings you joy? — Marie Kondo
"American film is divorced from the lives that it photographs. The camera distorts their worries and concerns, it leaves their contours misshapen."
Joseph Darda explores the confluence of new humanist philosophy and the rise of the creative writing MFA.
Kathleen Rooney considers “Magical Negro” by Morgan Parker.
Two new books about urban wildlife share a message: open your goddamn eyes. The world is miraculous, the authors say, and they urge us to pay attention.
Jonah Andrist writes about his experiences with Will Peterson, a self-published writer and bookstore owner in small-town Idaho.
An utterly uninspired grad student fortuitously meets the niece of an iconic writer with access to her aunt’s secret notebooks. Inspiration turns to infatuation in this quintessential writerly novel. Check out our Winter 2019 pick for the LARB Book Club: “Talent” by Juliet Lapidos.