Breaking Free of the Cult of Academia: An Interview With Amy Gentry
Halley Sutton talks to Amy Gentry about “Bad Habits,” a thriller set in academia.
Halley Sutton talks to Amy Gentry about “Bad Habits,” a thriller set in academia.
For Dear Television, Phillip Maciak sobs his way through the magic of pre-pandemic closeness in Derek DelGaudio's Hulu film In and Of Itself.
A tasty, erudite, and offbeat Wunderkabinett full of weirdos.
A new essay by Alex Scordelis from the High/Low issue of the LARB Quarterly Journal, no. 29.
A superb new English translation of a celebrated contemporary Italian novel out now from Achipelago.
Rachel Barenbaum talks with Imbolo Mbue about her new novel, “How Beautiful We Were.”
Megan Rosenbloom combines perspectives from history, science, and the rare book world to tell her strange and compelling story.
The author discusses her new book, “Girlhood,” a text that mixes memoir, reportage, and the lyric essay.
Melissa Febos’s “Girlhood” is a profoundly intimate memoir in the form of collected essays.
A new essay by Rachel Genn from the High/Low issue of the LARB Quarterly Journal, no.29.
Novelist and art critic Geoff Dyer reflects on his diverse and genre-defying career.
“Art Isn’t Fair” integrates Allan Sekula’s photographic projects with his writings on art.
Dan Friedman reviews “Justice, Justice, Thou Shalt Pursue: A Life’s Work Fighting for a More Perfect Union” by Ruth Bader Ginsburg and Amanda L. Tyler.
Kim Stanley Robinson, Yanis Varoufakis, and Carl Neville have all released utopian novels in 2020, but is there value in speculating about a post-capitalist future?
Stephanie Malak writes about two organizations foregrounding the conversation about feelings in the study of literature.
Gavan Titley responds to Stephen Rohde’s review of his book, “Is Free Speech Racist?”