Put Some “Mank” on It
J. D. Connor explains what “Citizen Kane” would look like if it had only industry politics and no real ones: it’d be “Mank.”
J. D. Connor explains what “Citizen Kane” would look like if it had only industry politics and no real ones: it’d be “Mank.”
Jacquelyn Ardam interviews Laura Levitt on the objects left behind after trauma in her new book, “The Objects That Remain.”
Micah Cash’s “Waffle House Vistas” blends nostalgia with a kind of eerie dystopianism.
"In the Korean entertainment industry, quite unlike the American one, appearing in commercials is the surest sign of having made it."
Stephen Rohde reviews "Hamilton and the Law," a new essay collection edited by Lisa A. Tucker.
Jonathan Alexander talks with Jack Zipes about “Yussuf the Ostrich” and “Keedle, the Great.”
Dale Franzen, founding director of the Broad Stage at Santa Monica College, remembers the day Eli Broad changed her life.
In this spotlight you’ll find reviews of Argentine stories, tributes to authors who wrote in German, translations from Arabic and Russian, and much more.
Larissa Pham joins Medaya Ocher and Eric Newman to discuss her debut collection, “Pop Song: Adventures in Art and Intimacy.”
Harlow Robinson weighs “The Free World” by Louis Menand against “Ballet in the Cold War” by Anne Searcy.
Lilly Dancyger discusses her new memoir about her artist father, “Negative Space.”
Hadji Bakara examines Mira L. Siegelberg’s recently published legal history, “Statelessness.”
These pieces demonstrate the sustained and sustaining strength of the humanities, a discipline in perpetual crisis.
A conversation on writing, incarceration, and the power of language and narrative to help us imagine alternatives to the prison industrial complex.
Andy Fitch talks with Ira W. Lieberman about the challenges COVID-19 has placed on burgeoning microfinance initiatives around the globe.
JoAnna Novak talks with Kate Durbin about reality TV's portrayal of real life, and portrayals of reality TV in literature.