(Screen)Writing Against Type: Brandon Easton, Walter Mosley, Paula Yoo, and Janice Rhoshalle Littlejohn
A conversation on writing, genre, and audience expectations featuring acclaimed authors and screenwriters.
A conversation on writing, genre, and audience expectations featuring acclaimed authors and screenwriters.
Ali Raz considers the “therapist thriller,” in which the talking cure stands in for the diagnostic rigors of the Hollywood screenwriting formula.
Lily Houston Smith explores “The Big Hurt” by Erika Schickel.
Erin L. Thompson examines the poignant yet playful recollections in Mansoor Adayfi’s memoir "Don’t Forget Us Here: Lost and Found at Guantánamo."
At the crux of Deborah Levy’s concerns is how to live a creative life as a woman.
Larissa Dooley reviews Lou Mathews’s “Shaky Town,” a novel made of several interlocking stories set in East L.A.
The third of three essays by Ukrainian women authors marking the 30th anniversary of the nation’s independence.
All the talk of colonizing Mars is a dangerous pipe dream that deflects from the less glamorous task of trying to keep Earth habitable.
Adela Pineda Franco contemplates “The Restless Dead,” the recently published book by Cristina Rivera Garza.
The author discusses her first novel, “Nightbitch,” and the loneliness of motherhood.
The second of three essays by Ukrainian women authors marking the 30th anniversary of the nation’s independence.
Charles McNair and Mark Childress present their 1982 interview with Jorge Luis Borges.
Evan Selinger talks with anthropologist Darren Byler about Chinese "re-education" camp surveillance technology and Byler's recent book "In the Camps."
Francesco D’Isa is entranced by “Theatre, Magic and Philosophy” by Gabriela Dragnea Horvath.
A new reprint of a classic work of contemporary Native American fiction.
The first of three essays by Ukrainian women authors marking the 30th anniversary of the nation’s independence.