Michael Clune’s “Pan”
Writer and scholar Michael Clune joins Kate Wolf and Medaya Ocher to discuss his debut novel, “Pan.”
Writer and scholar Michael Clune joins Kate Wolf and Medaya Ocher to discuss his debut novel, “Pan.”
Hattie Lindert listens to Justin Bieber’s “SWAG.”
A very old Balanchine feels fresh and a new ballet feels timeless in American Contemporary Ballet’s double bill, as reviewed by Dorie Chevlen.
Tia Glista watches Eva Victor’s directorial debut, “Sorry, Baby.”
Amelia Anthony aims to separate the art from the artist while reading James Miller’s “The Passion of Pedro Almodóvar: A Self-Portrait in Seven Films.”
Tim Riley reviews Alan Siegel’s “Stupid TV, Be More Funny: How the Golden Era of ‘The Simpsons’ Changed Television—and America—Forever.”
Brad East reviews Jerome E. Copulsky’s “American Heretics: Religious Adversaries of Liberal Order.”
Yael Friedman looks at a recent book, exhibition, and film on photographer Larry Fink.
Tess Pollok interviews Stephanie Wambugu about her debut novel “Lonely Crowds.”
Soraya Sebghati outlines a canon of 21st-century Iranian film.
Kevin Koczwara reminisces on Jim Carrey’s film oeuvre, from “Ace Ventura” and “Man on the Moon” to “Sonic the Hedgehog 3.”
Anna Aguiar Kosicki considers Cora Lewis’s debut novel “Information Age.”
M. G. Lord watches National Geographic’s new documentary “Sally.”
In the second installment of a quarterly series, Brendan Boyle and Adam Nayman consider the cinema of the Biden years.
Eric Newman and Medaya Ocher are joined by writer and professor Sebastian Castillo whose new novel “Fresh, Green Life” is the LARB Book Club pick for the summer.
Matthew K. Ritchie considers Clipse’s new album “Let God Sort Em Out,” the Virginia rap duo’s reunion, and the rarity of a principled artistic existence.