Not-So-Silent Spring: On Greta Thunberg’s “The Climate Book”
Terry Babcock-Lumish reviews Greta Thunberg’s “The Climate Book.”
Terry Babcock-Lumish reviews Greta Thunberg’s “The Climate Book.”
Kevin Koczwara reflects on Stephen Markley’s “The Deluge” and his own climate anxieties.
Ariella Garmaise considers Romy Mars’s viral TikTok through the lens of her mother and grandfather’s film “Life Without Zoë.”
Kurt Caswell reviews Liz Bucar’s “Stealing My Religion: Not Just Any Cultural Appropriation.”
Roger Luckhurst reviews the new collection of essays “Uneven Futures: Strategies for Community Survival from Speculative Fiction” from MIT Press.
Francesco D’Isa reviews Eduardo Navas’s “The Rise of Metacreativity”
Colm Tóibín joins Eric Newman and Kate Wolf to speak about his latest collection of essays, “A Guest at the Feast.”
Tom Zoellner reviews Anjan Sundaram’s “Breakup: A Marriage in Wartime.”
Juliana Spahr reviews Christine Hume’s “Everything I Never Wanted to Know.”
Annie Pfeiffer discusses the translation and adaptation by Philipp Stölzl of Stefan Zweig’s “Chess Story.”
Michele Willens speaks with Neil King about his new book “American Ramble: A Walk of Memory and Renewal.”
Leland Cheuk interviews Marie Myung-Ok Lee about “The Evening Hero.”
Apoorva Tadepalli reviews Annie Ernaux’s “Look at the Lights, My Love.”
John Galbraith Simmons reviews Joel Warner’s “The Curse of the Marquis de Sade: A Notorious Scoundrel, a Mythical Manuscript, and the Biggest Scandal in Literary History.”
Jodi Dean reviews Quinn Slobodian’s “Crack-Up Capitalism: Market Radicals and the Dream of a World Without Democracy.”
Rosalie Metro reviews Emma Larkin’s “Comrade Aeon’s Field Guide to Bangkok” and Claudio Sopranzetti, Sara Fabbri, and Chiara Natalucci’s “The King of Bangkok.”