Archive
Deceptively Simple
Like her earlier works, Bad Marie is human, deeply-felt, delightfully well-honed, and though stylized, stops short of quirkiness for quirkiness’ sake.
Lighting Darkened Corners
Aslan's collection makes clear that the Arab Spring of 2011 reflects a century spent grappling with a postcolonial search for identity.
Aberrant Behavior: On Alex Toth
I knew Toth — not all that well, but well enough to realize at a certain point that avoiding contact with him was a positive and healthy lifestyle.
Sons and Fathers
Miller is a classicist; he loves the melodrama of the comics form.
Autumn of the Empire
If you spot in the financial crisis something of the epic, you are not mistaken.
The Ghost of Wrath
Harrison Gray Otis: a biography in progress.
The Time of Our Lives: On Christian Marclay’s “The Clock”
As it ticks away, "The Clock" taps into the enormous storehouse of images bouncing around in our heads.
Romeo Byron Is Dead: Jessica Hagedorn’s “Toxicology”
Hagedorn's lean, quick chapters and impressionistic scenes have the effect of sound bytes, and perfectly complement the tone of her world.
Secret Histories
aviator’s goggles, Victorian waistcoats, top hats, bustle skirts, leather corsets, bizarre, mechanical accessories
Practicing on Patients
But objectivity may be as elusive as cancer's cure.
Theaters of Cruelty
An excerpt from "The Art of Cruelty: A Reckoning."
The Eyes Think
You look up again, and each small step forward unveils a newly unfamiliar scene.
Unfinished Form
We best remember Wallace, a walking dead man in our psych ward of a world, by looking past his own personality to our fallen American condition.
Famously Married
"Must You Go?" is both a wife’s reflection and a historian’s.
Legacy
Bush ended his term in office with the lowest approval rating since they started keeping approval ratings.
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