Reviving “Ophelia”: On Returning to the Music of Natalie Merchant
Jenny Boyar writes about her midlife rediscovery of singer-songwriter Natalie Merchant.
Jenny Boyar writes about her midlife rediscovery of singer-songwriter Natalie Merchant.
Images from Carmen Winant’s The Last Safe Abortion (SPBH Editions / MACK, 2024). Courtesy of the artist, SPBH Editions, and MACK.
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Kate Sadoff reviews Jonathan Vigliotti’s “Before It’s Gone: Stories from the Front Lines of Climate Change in Small-Town America.”
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Wendi Bootes examines the contradictory nature of facts through an assessment of Soviet factography, in an excerpt from LARB Quarterly no. 41, “Truth...
Hannah Bonner connects Kōhei Saitō’s book “Slow Down: The Degrowth Manifesto” to Sara Sowell’s short film “Color Negative” by way of the Kardashians.
Join LARB staff and contributor Andrew Scull on June 30 at 12 p.m. PST to discuss the making and narrativizing of the antidepressant Prozac.
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Eric Newman and Medaya Ocher are joined by New Yorker staff writer and former television critic Emily Nussbaum to discuss her book “Cue the Sun...
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Matthew Longo reflects on the surreal experience of the DMZ, where borders create both division and unity.
Hannah Sage Kay reviews David K. Seitz’s “A Different Trek: Radical Geographies of ‘Deep Space Nine.’”
Randall Mann interviews Christian Gullette about "Coachella Elegy."
Shehryar Fazli reviews Salman Rushdie’s “Knife: Meditations After an Attempted Murder.”
Celina Su interviews Kendra Sullivan about “Reps.”
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Brittany Menjivar attends Boardner’s goth club in Hollywood and finds that she’s in parties. It’s in the can!
At the Lucy Bull opening’s after-party, Eli Diner assesses the state of criticism, L.A. art, and the ridiculous way collectors are treated.
Brittany Menjivar lunges for the buzzer at Wednesday Night Trivia in Los Feliz’s Bigfoot Lodge.
Father is fathering? A. J. Urquidi shops for pops at the new Keith Haring exhibition at Long Beach Museum of Art.
Eric Newman and Medaya Ocher are joined by New Yorker staff writer and former television critic Emily Nussbaum to discuss her book “Cue the Sun...
Medaya Ocher and Eric Newman speak with author Patrick Nathan about his latest novel, and this month’s LARB Book Club pick, “The Future Was Color.”
Claire Messud joins Medaya Ocher and Kate Wolf to discuss her latest novel, “This Strange Eventful History.”
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman debate an age-old question: what does it mean for criticism to “matter”?