The Long Breath of the World
On László Krasznahorkai’s sentences and what they require of us.
On László Krasznahorkai’s sentences and what they require of us.
POND SCUM is a 40-panel leporello assembled by Ciccio and published by Seven.
Neil Shubin’s stories of polar exploration tell us about the losses ahead.
What the ancients can teach us about cultivating a sustainable world.
Monique Wittig’s novels ‘The Lesbian Body’ and ‘Across the Acheron’ have just received new editions that reflect the feminist thinker’s ongoing cultural impact.
John Knych dissects Hiron Ennes’s ‘The Works of Vermin.’
In the 11th essay in the Legacies of Eugenics series, Michael Rossi shows how American scientists and artists used their discovery of racial ‘types’ to buttress eugenicist notions of aesthetic taste.
On January 24, 2026, acclaimed journalist and author Susan Orlean will be joined in conversation by music critic and fellow writer Alex Ross at the historic Thomas Mann House. Tickets are on sale now.
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Susan Orlean joins the podcast to talk about her new book 'Joyride: A Memoir,' her literary career, and the state of journalism today
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Emmett Rensin writes on eco-grief, the climate dirge, and one Armenian monk in a new hybrid fiction-cum-essay from LARB Quarterly no. 47, “Security.”
Calvin Gimpelevich writes on the history and politics of public bathrooms, in this essay from LARB Quarterly no. 47, “Security.”
Irene Katz Connelly argues for a new approach to witch hysteria via two recent novels, Olga Ravn’s ‘The Wax Child’ and Irene Solà’s ‘I Gave You Eyes and You Looked Toward Darkness.’
Chris Shields speaks with filmmaker Louise Weard about her ‘Castration Movie’ series.
Susan Orlean joins the podcast to talk about her new book 'Joyride: A Memoir,' her literary career, and the state of journalism today
LARB presents an excerpt from Gayle Feldman’s forthcoming biography of Bennett Cerf, the legendary American publisher.
From his rear window, M. Keith Booker reads the new anthology of stories inspired by Alfred Hitchcock, edited by Maxim Jakubowski.
Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”
Martin Wong catches up with SoCal punk band Emily’s Sassy Lime upon their reunion for the California Biennial.
Nada Alic speaks with Halle Butler about social satire, writing humor, and her newest novel, “Banal Nightmare.”
Andrew Holter revisits ‘The California Reich’ 50 years on and considers the legacy of the neo-Nazi documentary.
Gregg Mitman looks at the bodily damage that soldiers take home in Joshua Howe and Alexander Lemons’s ‘Warbody: A Marine Sniper and the Hidden Violence of Modern Warfare.’
The L.A. fires, one year later.
Mona Fastvold’s ‘The Testament of Ann Lee’ presents a musical American allegory of the Great Awakening that is ‘fundamentally carnal, even if its heroine is decidedly not.’
Eram Alam’s new book uncovers the ways that immigrant physicians have propped up the American medical system.
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What our editors can’t stop thinking about, from cultural research and reporting to political commentary and coverage of current events.
Justin A. Davis writes on Ralph Bakshi’s controversial film “Coonskin” for its 50th anniversary, in a preview of the LARB Quarterly no. 47, “Security.”
Carly Mattox considers recent critiques of imperialist nostalgia via Danny Boyle’s “28 Years Later” and Adam Curtis’s “Shifty.”
Aaron Boehmer writes about community libraries and the importance of accessible archival and literary resources in these times.
Joel Edward Goza dives into Calvin Schermerhorn’s new study of American history, tracing a financial pattern of racial exploitation that’s woven into the nation’s fabric.
Long-form views on literature, art, and experience from LARB’s online magazine and print Quarterly.
Rowland Bagnall dives into the early work of Stephen Shore, newly collected by MACK.
Alix Christie considers Susan Straight’s challenging yet crucial portraits of an “overlooked” California.
Tim Brinkhof considers Joe Wright’s new Mussolini miniseries as a flawed representation of the rise of fascism in Italy.
Clara Cuccaro considers the “myth of resistance” in Joachim Trier’s newest film, “Sentimental Value.”
Brief dispatches from L.A.’s arts and culture scenes. Courtesy of LARB’s local columnists and occasional correspondents.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Elizabeth Barton trawls through the newly opened Joan Didion archives at New York Public Library to learn about the making of the author’s first book.
“Nothing is clearly defined” in Julia Yerger’s art exhibition, which Keith J. Varadi finds to be a big win.
Dorie Chevlen attends “Memoryhouse,” an abstract, cinematic performance that still managed to dance around comparisons to contemporary injustices.
We revisit our episode with photographer and writer Sally Mann about her book, "Art Work: On the Creative Life."
Film critics and authors A.S Hamrah and Melissa Anderson join the podcast to talk about 2025 in film, the Warner Bros. sale, AI use, and more.
LARB Radio Hour hosts pick their favorite books, movies, TV shows, music, magazines, and scandals from 2025. Listen to hear about Nuzzi, Superman, and more
Brace yourself, new essays, fiction, poetry, art, and comics are here. Hunker down with the LARB Quarterly no 47: Security, exploring vulnerability, loss, and refuge.
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