“The Fringe Is Where the Fun Really Happens”: A Conversation with Kathe Koja
The author discusses her versatile career and her first horror novel in decades, “The Dark Factory.”
"The function of science fiction is not always to predict the future but sometimes to prevent it." — Frank Herbert
The author discusses her versatile career and her first horror novel in decades, “The Dark Factory.”
Rob LathamMay 10, 2022
If Amazon is building a new future of capitalism (or something worse), it is doing so on the backs of its workers. What future do they envision?
Graeme Webb, Max Haiven, Xenia BenivolskiMay 7, 2022
Gretchen Felker-Martin’s “Manhunt” shines a light on how our bodies inhibit us, please us, disgust us.
ChristApr 30, 2022
Lowell Duckert reviews the new novel from Ally Wilkes, “All the White Spaces.”
Lowell DuckertApr 15, 2022
Samuel R. Delany’s work moves between minor and major scales with dizzying speed.
Robert KielyMar 5, 2022
Jason Ray Carney on whether it’s justifiable to read sword-and-sorcery today.
Jason Ray CarneyFeb 19, 2022
Nnedi Okorafor’s new novel follows a cybernetically augmented protagonist on a perilous journey of self-discovery.
Ayanni C. H. CooperFeb 12, 2022
How "The Turner Diaries" resembles classics of SF past.
Noah BerlatskyFeb 5, 2022
David Michael Jamison reviews “The Future of Black,” edited by Len Lawson, Cynthia Manick, and Gary Jackson.
David Michael JamisonJan 22, 2022
Alison Sperling makes her way through “The Anthropocene Unconscious,” the new book by Mark Bould.
Alison SperlingJan 15, 2022
Black feminist scholar and merwomanist melusine Jalondra A. Davis reviews Natasha Bowen’s “Skin of the Sea.”
Jalondra A. DavisJan 6, 2022
Rebecca Evans reviews Neal Stephenson’s latest, “Termination Shock.”
Rebecca EvansJan 3, 2022