The Great Leap to Valhalla: Wagner in China
Melissa Chan writes about the performance of Wagner operas in China.
"I don't care much about music. What I like is sounds." — Dizzy Gillespie
Melissa Chan writes about the performance of Wagner operas in China.
Melissa ChanNov 13, 2023
Grant Sharples reviews the new music documentary “The Elephant 6 Recording Co.”
Grant SharplesNov 8, 2023
In a preview of LARB Quarterly no. 39: “Air,” Matthew Mullins explores exvangelical indie rock and reevaluates his own identity within the American evangelical movement.
Matthew MullinsOct 23, 2023
Chandler Dandridge takes a tour of Manchester with Andy Spinoza, author of “Manchester Unspun: Pop, Property, and Power in the Original Modern City.”
Chandler DandridgeOct 10, 2023
Justin Gautreau reviews singer-songwriter Sufjan Stevens’s new album “Javelin.”
Justin GautreauOct 9, 2023
Ariella Garmaise reviews Alissa Bennett’s compilation of celebrity-themed zines, collectively titled “Taxidermist’s Handbook.”
Ariella GarmaiseSep 13, 2023
Musicologist Judith Finell reviews Harvey Sachs’s new biography of the influential and misunderstood 20th-century musical genius Arnold Schoenberg, titled “Schoenberg: Why He Matters.”
Judith FinellAug 29, 2023
Anna Dorn learns to love Taylor Swift.
Anna DornAug 21, 2023
Grant Sharples reviews Michael Tedder’s “Top Eight: How MySpace Changed Music.”
Grant SharplesAug 20, 2023
Alexander Billet reviews Joe Molloy’s “Acid Detroit: A Psychedelic Story of Motor City Music.”
Alexander BilletAug 19, 2023
Sam V.H. Reese reviews Jonathan Leal’s “Dreams in Double-Time: On Race, Freedom, and Bebop."
Sam V. H. ReeseAug 9, 2023
Tim Riley reviews Laurie Winer’s “Oscar Hammerstein II and the Invention of the Musical.”
Tim RileyJul 6, 2023