This Should Be a Movie: “American Utopia,” the Concert Film, and Extending a Terrific Moment
Sara Black McCulloch considers the nature of the concert film — its scope, its liveness, and its political commitments.
"I don't care much about music. What I like is sounds." — Dizzy Gillespie
Sara Black McCulloch considers the nature of the concert film — its scope, its liveness, and its political commitments.
Sara Black McCullochDec 30, 2020
Lucía Benavides on John Lennon, the man and the artist.
Lucía BenavidesDec 18, 2020
LARB presents the December installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusDec 17, 2020
The great singer-songwriter has spent a lifetime turning bluesy snark into pop gold.
Tim RileyNov 28, 2020
A pioneer folklorist found some British origins of Appalachian music, but missed so much else.
Gregory P. DownsNov 5, 2020
LARB presents the October installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusOct 30, 2020
Growing up with the man in black.
Drew BratcherOct 23, 2020
The death of Stanley Crouch leaves America’s intellectual culture less interesting, less imaginative, and, above all else, less artful.
David MasciotraOct 18, 2020
The L.A. rocker on her experiences in the underground rock scene in pre-glasnost Russia.
Sasha RazorOct 17, 2020
The socially driven dream-telling of Anthony Davis’s political operas.
Thomas LarsonOct 17, 2020
LARB presents the September installment of “Real Life Rock Top 10,” a monthly column by cultural critic Greil Marcus.
Greil MarcusSep 25, 2020
Kathelin Gray reviews Maria Golia’s biography of composer and musician Ornette Coleman.
Kathelin GraySep 24, 2020