What’s Love Got to Do With It?: Love and Theft in the 21st Century
"Buried not very far under the critique of racial theft is a privileging of African-American expressive culture as a resource in and of itself."
"Writing only leads to more writing." — Colette
"Buried not very far under the critique of racial theft is a privileging of African-American expressive culture as a resource in and of itself."
Jonathan FreedmanNov 1, 2015
Ira Sukrungruang reviews Tom Sperlinger's "Romeo and Juliet in Palestine: Teaching Under Occupation."
Ira SukrungruangOct 29, 2015
A review of Karen Babine's reflections on ethical relationships with place
Renée E. D’AoustOct 24, 2015
The Dead Ladies Project: Exiles, Expats, and Ex-Countries
Mattilda Bernstein SycamoreOct 15, 2015
"The challenge Adrian Piper models for us, her critical instigation, is to live in the present experimentally."
Tavia Nyong’oOct 11, 2015
What brings Ta-Nehisi Coates and Elena Ferrante together is their shared refusal to give us the connection we desire.
Jedediah PurdyOct 4, 2015
Reading an artist's novel is often a kind of aesthetic or intellectual work rather than a leisure activity.
Lucy IvesSep 13, 2015
Elite colleges are not meritocracies — if by “meritocracy” we mean that students are admitted solely on the basis of high test scores.
Steven BrintSep 13, 2015
Kenneth W. Warren discusses "The Program Era."
Kenneth W. WarrenSep 13, 2015
What took Norman Maclean so long to write "Young Men and Fire"?
Alan ThomasSep 10, 2015
There is, Bukowski knew, an inimitable world between aspiration and success, a time to rage against the man, and a time to soften the blow.
Geoff BendeckSep 4, 2015
What happened to the 20th century’s universal man?
Mark GobleSep 4, 2015